The Ring and the Book Part 2, Robert Browning
The Ring and the Book Part 2
Robert Browning
Category: Verse
Genres: Poetry,Historical fiction
Level 8.538:27 h
The Ring and the Book is a long dramatic narrative poem, and, more specifically, a verse novel, of 21,000 lines, written by Robert Browning. The book tells the story of a murder trial in Rome in 1698, whereby an impoverished nobleman, Count Guido Franceschini, is found guilty of the murders of his young wife Pompilia (Comparini) and her parents, having suspected his wife was having an affair with a young cleric, Giuseppe Caponsacchi.

The Ring and the Book

Part 2

by
Robert Browning

The Ring and the Book Part 2

Helen’s Tower

Written at the request of the Earl of Dufferin and Clandeboye, who had built a tower to the memory of his mother, Helen, Countess of Giffard, on a rock on his estate at Clandeboye, Ireland, and printed in the Pall Mall Gazette of December 28, 1883.

Who hears of Helen’s Tower, may dream perchance
How the Greek Beauty from the Scæan Gate
Gazed on old friends unanimous in hate,
Death-doom’d because of her fair countenance.

Hearts would leap otherwise, at thy advance,
Lady, to whom this Tower is consecrate!
Like hers, thy face once made all eyes elate,
Yet, unlike hers, was bless’d by every glance.

The Tower of Hate is outworn, far and strange:
A transitory shame of long ago,
It dies into the sand from which it sprang;
But thine, Love’s rock-built Tower, shall fear no change:
God’s self laid stable earth’s foundation so,
When all the morning-stars together sang.

April 26, 1870.

Balaustion’s Adventure
Including a Transcript from Euripides

“Our Euripides, the Human,
With his droppings of warm tears,
And his touches of things common
Till they rose to touch the spheres.”

TO THE COUNTESS COWPER

If I mention the simple truth, that this poem absolutely owes its existence to you, — who not only suggested, but imposed on me as a task, what has proved the most delightful of May-month amusements, — I shall seem honest, indeed, but hardly prudent; for, how good and beautiful ought such a poem to be!

Euripides might fear little; but I, also, have an interest in the performance; and what wonder if I beg you to suffer that it make, in another and far easier sense, its nearest possible approach to those Greek qualities of goodness and beauty, by laying itself gratefully at your feet?

R. B.

London, July 23, 1871.

After the publication of the fourth volume of The Ring and the Book in February, 1869, Browning published nothing until March, 1871, when he printed Hervé Riel in the Cornhill Magazine, afterward including it in his first new volume of collected poems. In August of the same year appeared the first of his larger ventures in the field of Greek life. This poem was followed four years later by Aristophanes’ Apology, and it is so intimately connected with Balaustion’s Adventure that in this edition it is made to follow it, though the chronological sequence was broken, as will be seen, by the composition and publication of other considerable works. The motto at the head of the poem is from Mrs. Browning, and in the last lines of the poem Browning couples her with his friend Sir Frederick Leighton.

About that strangest, saddest, sweetest song
I, when a girl, heard in Kameiros once,
And, after, saved my life by? Oh, so glad
To tell you the adventure!

Petalé,
Phullis, Charopé, Chrusion! You must know,
This “after” fell in that unhappy time
When poor reluctant Nikias, pushed by fate,
Went falteringly against Syracuse;
And there shamed Athens, lost her ships and men,
And gained a grave, or death without a grave.
I was at Rhodes — the isle, not Rhodes the town,
Mine was Kameiros — when the news arrived:
Our people rose in tumult, cried, “No more
Duty to Athens, let us join the League
And side-with Sparta, share the spoil, — at worst,
Abjure a headship that will ruin Greece!”
And so, they sent to Knidos for a fleet
To come and help revolters. Ere help came, —
Girl as I was, and never out of Rhodes
The whole of my first fourteen years of life,
But nourished with Ilissian mother’s-milk, —
I passionately cried to who would hear
And those who loved me at Kameiros — “No!
Never throw Athens off for Sparta’s sake —
Never disloyal to the life and light
Of the whole world worth calling world at all!
Rather go die at Athens, lie outstretched
For feet to trample on, before the gate
Of Diomedes or the Hippadai,
Before the temples and among the tombs,
Than tolerate the grim felicity
Of harsh Lakonia! Ours the fasts and feasts,
Choës and Chutroi; ours the sacred grove,
Agora, Dikasteria, Poikilé,
Pnux, Keramikos; Salamis in sight,
Psuttalia, Marathon itself, not far!
Ours the great Dionusiac theatre,
And tragic triad of immortal fames,
Aischulos, Sophokles, Euripides!
To Athens, all of us that have a soul,
Follow me!’’ And I wrought so with my prayer,
That certain of my kinsfolk crossed the strait
And found a ship at Kaunos; well-disposed
Because the Captain — where did he draw breath
First but within Psuttalia? Thither fled
A few like-minded as ourselves. We turned
The glad prow westward, soon were out at sea,
Pushing, brave ship with the vermilion cheek,
Proud for our heart’s true harbor. But a wind
Lay ambushed by Point Malea of bad fame,
And leapt out, bent us from our course. Next day
Broke stormless, so broke next blue day and next.
“But whither bound in this white waste?’’ we plagued
The pilot’s old experience: “Cos or Crete?’’
Because he promised us the land ahead.
While we strained eyes to share in what he saw,
The Captain’s shout startled us; round we rushed:
What hung behind us but a pirate-ship
Panting for the good prize! “Row! harder row!
Row for dear life!” the Captain cried: “‘t is Crete,
Friendly Crete looming large there! Beat this craft
That’s but a keles, one-benched pirate-bark,
Lokrian, or that bad breed off Thessaly!
Only, so cruel are such water-thieves,
No man of you, no woman, child, or slave,
But falls their prey, once let them board our boat!’’
So, furiously our oarsmen rowed and rowed:
And when the oars nagged somewhat, dash and dip,
As we approached the coast and safety, so
That we could hear behind us plain the threats
And curses of the pirate panting up
In one more throe and passion of pursuit, —
Seeing our oars flag in the rise and fall,
I sprang upon the altar by the mast
And sang aloft — some genius prompting me —
That song of ours which saved at Salamis:
“O sons of Greeks, go, set your country free,
Free your wives, free your children, free the fanes
O’ the Gods, your fathers founded, — sepulchres
They sleep in! Or save all, or all be lost!”
Then, in a frenzy, so the noble oars
Churned the black water white, that well away
We drew, soon saw land rise, saw hills grow up,
Saw spread itself a sea-wide town with towers,
Not fifty stadia distant; and, betwixt
A large bay and a small, the islet-bar,
Even Ortugia’s self — oh, luckless we!
For here was Sicily and Syracuse:
We ran upon the lion from the wolf.
Ere we drew breath, took counsel, out there came
A galley, hailed us. “Who asks entry here
In war-time? Are you Sparta’s friend or foe?”
“Kaunians,” — our Captain judged his best reply,
“The mainland-seaport that belongs to Rhodes;
Rhodes that casts in her lot now with the League,
Forsaking Athens, — you have heard belike!”
“Ay, but we heard all Athens in one ode
Just now! we heard her in that Aischulos!
You bring a boatful of Athenians here,
Kaunians although you be: and prudence bids,
For Kaunos’ sake, why, carry them unhurt
To Kaunos, if you will: for Athens’ sake,
Back must you, though ten pirates blocked the bay!
We want no colony from Athens here,
With memories of Salamis, forsooth,
To spirit up our captives, that pale crowd
I’ the quarry, whom the daily pint of corn
Keeps in good order and submissiveness.”
Then the gray Captain prayed them by the Gods,
And by their own knees, and their fathers’ beards,
They should not wickedly thrust suppliants back,
But save the innocent on traffic bound —
Or, maybe, some Athenian family
Perishing of desire to die at home, —
From that vile foe still lying on its oars,
Waiting the issue in the distance. Vain!
Words to the wind! And we were just about
To turn and face the foe, as some tired bird
Barbarians pelt at, drive with shouts away
From shelter in what rocks, however rude,
She makes for, to escape the kindled eye,
Split beak, crook’d claw o’ the creature, cormorant
Or ossifrage, that, hardly baffled, hangs
Afloat i’ the foam, to take her if she turn.
So were we at destruction’s very edge,
When those o’ the galley, as they had discussed
A point, a question raised by somebody,
A matter mooted in a moment, — “Wait!”
Cried they (and wait we did, you may be sure).
“That song was veritable Aischulos,
Familiar to the mouth of man and boy,
Old glory: how about Euripides?
The newer and not yet so famous bard,
He that was born upon the battle-day
While that song and the salpinx sounded him
Into the world, first sound, at Salamis —
Might you know any of his verses too?”

Now, some one of the Gods inspired this speech:
Since ourselves knew what happened but last year —
How, when Gulippos gained his victory
Over poor Nikias, poor Demosthenes,
And Syracuse condemned the conquered force
To dig and starve i’ the quarry, branded them —
Freeborn Athenians, brute-like in the front
With horse-head brands, — ah, “Region of the Steed’’! —
Of all these men immersed in misery,
It was found none had been advantaged so
By aught in the past life he used to prize
And pride himself concerning, — no rich man
By riches, no wise man by wisdom, no
Wiser man still (as who loved more the Muse)
By storing, at brain’s edge and tip of tongue,
Old glory, great plays that had long ago
Made themselves wings to fly about the world, —
Not one such man was helped so at his need
As certain few that (wisest they of all)
Had, at first summons, oped heart, flung door wide
At the new knocking of Euripides,
Nor drawn the bolt with who cried “Decadence!
And, after Sophokles, be nature dumb!’’
Such, — and I see in it God Bacchos’ boon
To souls that recognized his latest child,
He who himself, born latest of the Gods,
Was stoutly held impostor by mankind, —
Such were in safety: any who could speak
A chorus to the end, or prologize,
Roll out a rhesis, wield some golden length
Stiffened by wisdom out into a line,
Or thrust and parry in bright monostich,
Teaching Euripides to Syracuse —
Any such happy man had prompt reward:
If he lay bleeding on the battlefield
They stanched his wounds and gave him drink and food;
If he were slave i’ the house, for reverence
They rose up, bowed to who proved master now,
And bade him go free, thank Euripides!
Ay, and such did so: many such, he said,
Returning home to Athens, sought him out,
The old bard in the solitary house,
And thanked him ere they went to sacrifice.
I say, we knew that story of last year!

Therefore, at mention of Euripides,
The Captain crowed out, “Euoi, praise the God!
Oöp, boys, bring our owl-shield to the fore!
Out with our Sacred Anchor! Here she stands,
Balaustion! Strangers, greet the lyric girl!
Euripides! Babai! what a word there ’scaped
Your teeth’s enclosure, quoth my grandsire’s song!
Why, fast as snow in Thrace, the voyage through,
Has she been falling thick in flakes of him!
Frequent as figs at Kaunos, Kaunians said.
Balaustion, stand forth and confirm my speech!
Now it was some whole passion of a play;
Now, peradventure, but a honey-drop
That slipt its comb i’ the chorus. If there rose
A star, before I could determine steer
Southward or northward — if a cloud surprised
Heaven, ere I fairly hollaed ‘Furl the sail!’ —
She had at fingers’ end both cloud and star;
Some thought that perched there, tame and tunable,
Fitted with wings; and still, as off it flew,
‘So sang Euripides,’ she said, ‘so sang
The meteoric poet of air and sea,
Planets and the pale populace of heaven,
The mind of man, and all that’s made to soar!’
And so, although she has some other name,
We only call her Wild-pomegranate-flower,
Balaustion; since, where’er the red bloom burns
I’ the dull dark verdure of the bounteous tree,
Dethroning, in the Rosy Isle, the rose,
You shall find food, drink, odor, all at once;
Cool leaves to bind about an aching brow,
And, never much away, the nightingale.
Sing them a strophe, with the turn-again,
Down to the verse that ends all, proverb-like,
And save us, thou Balaustion, bless the name!’’

But I cried, “Brother Greek! better than so, —
Save us, and I have courage to recite
The main of a whole play from first to last;
That strangest, saddest, sweetest song of his,
Alkestis; which was taught, long years ago
At Athens, in Glaukinos’ archonship,
But only this year reached our Isle o’ the Rose.
I saw it at Kameiros; played the same,
They say, as for the right Lenean feast
In Athens; and beside the perfect piece —
Its beauty and the way it makes you weep, —
There is much honor done your own loved God
Herakles, whom you house i’ the city here
Nobly, the Temple wide Greece talks about!
I come a suppliant to your Herakles!
Take me and put me on his temple-steps,
To tell you his achievement as I may,
And, that told, he shall bid you set us free!’’

Then, because Greeks are Greeks, and hearts are hearts,
And poetry is power, — they all outbroke
In a great joyous laughter with much love:
“Thank Herakles for the good holiday!
Make for the harbor! Row, and let voice ring,
‘In we row, bringing more Euripides!’”
All the crowd, as they lined the harbor now,
“More of Euripides!” — took up the cry.
We landed; the whole city, soon astir,
Came rushing out of gates in common joy
To the suburb temple; there they stationed me
O’ the topmost step: and plain I told the play,
Just as I saw it; what the actors said,
And what I saw, or thought I saw the while,
At our Kameiros theatre, clean-scooped
Out of a hillside, with the sky above
And sea before our seats in marble row:
Told it, and, two days more, repeated it,
Until they sent us on our way again
With good words and great wishes.

Oh, for me —
A wealthy Syracusan brought a whole
Talent and bade me take it for myself:
I left it on the tripod in the fane,
— For had not Herakles a second time
Wrestled with Death and saved devoted ones? —
Thank-offering to the hero. And a band
Of captives, whom their lords grew kinder to
Because they called the poet countryman,
Sent me a crown of wild-pomegranate-flower:
So, I shall live and die Balaustion now.
But one — one man — one youth, — three days, each day, —
(If, ere I lifted up my voice to speak,
I gave a downward glance by accident,)
Was found at foot o’ the temple. When we sailed,
There, in the ship too, was he found as well,
Having a hunger to see Athens too.
We reached Peiraieus; when I landed — lo,
He was beside me. Anthesterion-month
Is just commencing: when its moon rounds full,
We are to marry. O Euripides!
I saw the master: when we found ourselves
(Because the young man needs must follow me)
Firm on Peiraieus, I demanded first
Whither to go and find him. Would you think?
The story how he saved us made some smile:
They wondered strangers were exorbitant
In estimation of Euripides.
He was not Aischulos nor Sophokles:
— “Then, of our younger bards who boast the bay,
Had I sought Agathon, or Iophon,
Or, what now had it been Kephisophon?
A man that never kept good company,
The most unsociable of poet-kind,
All beard that was not freckle in his face!”

I soon was at the tragic house, and saw
The master, held the sacred hand of him
And laid it to my lips. Men love him not:
How should they? Nor do they much love his friend
Sokrates: but those two have fellowship:
Sokrates often comes to hear him read,
And never misses if he teach a piece.
Both, being old, will soon have company,
Sit with their peers above the talk. Meantime,
He lives as should a statue in its niche;
Cold walls enclose him, mostly darkness there,
Alone, unless some foreigner uncouth
Breaks in, sits, stares an hour, and so departs,
Brain-stuffed with something to sustain his life,
Dry to the marrow ’mid much merchandise.
How should such know and love the man?

Why, mark!
Even when I told the play and got the praise,
There spoke up a brisk little somebody,
Critic and whippersnapper, in a rage
To set things right: “The girl departs from truth!
Pretends she saw what was not to be seen,
Making the mask of the actor move, forsooth!
‘Then a fear flitted o’er the wife’s white face,’ —
‘Then frowned the father,’ — ‘then the husband shook,’ —
‘Then from the festal forehead slipt each spray,
And the heroic mouth’s gay grace was gone;’ —
As she had seen each naked fleshly face,
And not the merely-painted mask it wore!”
Well, is the explanation difficult?
What’s poetry except a power that makes?
And, speaking to one sense, inspires the rest,
Pressing them all into its service; so
That who sees painting, seems to hear as well
The speech that’s proper for the painted mouth;
And who hears music, feels his solitude
Peopled at once — for how count heartbeats plain
Unless a company, with hearts which beat,
Come close to the musician, seen or no?
And who receives true verse at eye or ear,
Takes in (with verse) time, place, and person too,
So, links each sense on to its sister-sense,
Grace-like: and what if but one sense of three
Front you at once? The sidelong pair conceive
Through faintest touch of finest finger-tips, —
Hear, see and feel, in faith’s simplicity,
Alike, what one was sole recipient of:
Who hears the poem, therefore, sees the play.
Enough and too much! Hear the play itself!
Under the grape-vines, by the streamlet-side,
Close to Baccheion; till the cool increase,
And other stars steal on the evening-star,
And so, we homeward flock i’ the dusk, we five!
You will expect, no one of all the words
O’ the play but is grown part now of my soul,
Since the adventure. ‘T is the poet speaks:
But if I, too, should try and speak at times,
Leading your love to where my love, perchance,
Climbed earlier, found a nest before you knew —
Why, bear with the poor climber, for love’s sake!
Look at Baccheion’s beauty opposite,
The temple with the pillars at the porch!
See you not something beside masonry?
What if my words wind in and out the stone
As yonder ivy, the God’s parasite?
Though they leap all the way the pillar leads,
Festoon about the marble, foot to frieze,
And serpentiningly enrich the roof,
Toy with some few bees and a bird or two, —
What then? The column holds the cornice up!

There slept a silent palace in the sun,
With plains adjacent and Thessalian peace —
Pherai, where King Admetos ruled the land.

Out from the portico there gleamed a God,
Apollon: for the bow was in his hand,
The quiver at his shoulder, all his shape
One dreadful beauty. And he hailed the house,
As if he knew it well and loved it much:
“O Admeteian domes, where I endured,
Even the God I am, to drudge awhile,
Do righteous penance for a reckless deed,
Accepting the slaves’ table thankfully!”
Then told how Zeus had been the cause of all,
Raising the wrath in him which took revenge
And slew those forgers of the thunderbolt
Wherewith Zeus blazed the life from out the breast
Of Phoibos’ son Asklepios (I surmise,
Because he brought the dead to life again),
And so, for punishment, must needs go slave,
God as he was, with a mere mortal lord:
— Told how he came to King Admetos’ land,
And played the ministrant, was herdsman there,
Warding all harm away from him and his
Till now; “For, holy as I am,” said he,
“The lord I chanced upon was holy too:
Whence I deceived the Moirai, drew from death
My master, this same son of Pheres, — ay,
The Goddesses conceded him escape
From Hades, when the fated day should fall,
Could he exchange lives, find some friendly one
Ready, for his sake, to content the grave.
But trying all in turn, the friendly list,
Why, he found no one, none who loved so much,
Nor father, nor the aged mother’s self
That bore him, no, not any save his wife,
Willing to die instead of him and watch
Never a sunrise nor a sunset more:
And she is even now within the house,
Upborne by pitying hands, the feeble frame
Gasping its last of life out; since to-day
Destiny is accomplished, and she dies,
And I, lest here pollution light on me,
Leave, as ye witness, all my wonted joy
In this dear dwelling. Ay, — for here comes Death
Close on us of a sudden! who, pale priest
Of the mute people, means to bear his prey
To the house of Hades. The symmetric step!
How he treads true to time and place and thing,
Dogging day, hour and minute, for death’s-due!”

And we observed another Deity,
Half in, half out the portal, — watch and ward, —
Eying his fellow: formidably fixed,
Yet faltering too at who affronted him,
As somehow disadvantaged, should they strive.
Like some dread heapy blackness, ruffled wing,
Convulsed and cowering head that is all eye,
Which proves a ruined eagle who, too blind
Swooping in quest o’ the quarry, fawn or kid,
Descried deep down the chasm ’twixt rock and rock,
Has wedged and mortised, into either wall
O’ the mountain, the pent earthquake of his power;
So lies, half hurtless yet still terrible,
Just when — who stalks up, who stands front to front,
But the great lion-guarder of the gorge,
Lord of the ground, a stationed glory there!
Yet he too pauses ere he try the worst
O’ the frightful unfamiliar nature, new
To the chasm, indeed, but elsewhere known enough,
Among the shadows and the silences
Above i’ the sky: so, each antagonist
Silently faced his fellow and forbore.
Till Death shrilled, hard and quick, in spite and fear:

“Ha, ha, and what mayst thou do at the domes,
Why hauntest here, thou Phoibos? Here again
At the old injustice, limiting our rights,
Balking of honor due us Gods o’ the grave?
Was ’t not enough for thee to have delayed
Death from Admetos, — with thy crafty art
Cheating the very Fates, — but thou must arm
The bow-hand and take station, press ’twixt me
And Pelias’ daughter, who then saved her spouse, —
Did just that, now thou comest to undo, —
Taking his place to die, Alkestis here?”

But the God sighed, “Have courage! All my arms,
This time, are simple justice and fair words.”

Then each plied each with rapid interchange:

“What need of bow, were justice arms enough?”

“Ever it is my wont to bear the bow.”

“Ay, and with bow, not justice, help this house!”

“I help it, since a friend’s woe weighs me too.”

“And now, — wilt force from me this second corpse?”

“By force I took no corpse at first from thee.”

“How then is he above ground, not beneath?”

“He gave his wife instead of him, thy prey.”

“And prey, this time at least, I bear below!”

“Go take her! — for I doubt persuading thee ...”

“To kill the doomed one? What my function else?”

“No! Rather, to dispatch the true mature.”

“Truly I take thy meaning, see thy drift!”

“Is there a way then she may reach old age?”

“No way! I glad me in my honors too!”

“But, young or old, thou tak’st one life, no more!”

“Younger, they die, greater my praise redounds!”

“If she die old, — the sumptuous funeral!”

“Thou layest down a law the rich would like.”

“How so? Did wit lurk there and ’scape thy sense?”

“Who could buy substitutes would die old men.”

“It seems thou wilt not grant me, then, this grace?”

“This grace I will not grant: thou know’st my ways.”