by
Robert Browning

The Fragment of a Confession

The history of the earliest printed of Browning’s writings is so curious that it seems worth while to give it at greater length than its intrinsic merit would require. As a boy Browning wrote an inordinate amount of verse, imitative largely of Byron, and some of it written when he was twelve struck his father as good enough to deserve printing, but no publisher could be found ready to confirm this faith. Then Browning fell into a Shelleyan mood, and when he was twenty projected a great work of which the introduction only was written. This introduction was Pauline, which to be precise was completed October 22, 1832. Browning’s aunt volunteered to pay the expenses of publication, and it was published anonymously early in 1833 by Saunders & Otley. The most authoritative person on literary matters in the young poet’s circle of friends was the Rev. William Johnson Fox, a Unitarian clergyman and editor of the Monthly Repository. He had a few years before given emphatic commendation to the boy’s verse, and now reviewed the poem with great warmth in his own magazine, so winning the poet’s gratitude as to draw from him the extravagant expression: “I shall never write a line without thinking of the source of my first praise, be assured.” The poem missed what would have been from its writer a more notable review. Mr. John Stuart Mill, six years Browning’s senior, was so delighted with Pauline that he wrote to the editor of Tait’s Magazine, the only periodical in which he could write freely, asking leave to review the poem. The editor replied that he had just printed a curt, contemptuous notice, and could not at once take the other track. When Mill died his copy of Pauline, crowded with annotations, fell into Browning’s hands and may now be seen in the South Kensington Museum.

In spite of such hopeful promise the poem was still-born from the press. Five years later, Browning wrote in a copy “the only remaining crab of the shapely Tree of Life in my Fool’s Paradise.” He appears never to have spoken of it until a striking circumstance brought it again into light. Many years after it was printed Dante Gabriel Rossetti was browsing among the volumes of forgotten poetry in the British Museum. He came upon a book in which a number of pamphlet poems were bound in a heterogeneous collection. Among these was Pauline. He read it, and from its internal evidence was convinced that it was an unacknowledged poem of Browning’s. The book was wholly out of print, and he made a copy of it. He wrote to Browning afterwards taxing the poet with the production, and Browning, greatly surprised at Rossetti’s discovery, acknowledged the authorship. In 1865, the editor of this Cambridge edition, meeting Rossetti in London, mentioned the fact that he had been copying at the British Museum Browning’s prose introduction to the suppressed spurious collection of Shelley’s Letters, whereupon Rossetti told him of this other rare book. Afterwards on learning that he had copied Pauline also he said: “I suppose you will print it when you go back to America.” “By no means,” replied the editor; “that would be a breach of faith. I copied it as a student of Browning. I never would make it public without Browning’s consent.” A year or two later therefore when a new edition of the collected poems was published, he thought himself not unlikely the unwitting occasion of the inclusion of Pauline, for in the introduction Browning wrote as follows:

“The first piece in the series (Pauline), I acknowledge and retain with extreme repugnance, indeed purely of necessity; for not long ago I inspected one, and am certified of the existence of other transcripts, intended sooner or later to be published abroad: by forestalling these, I can at least correct some misprints (no syllable is changed) and introduce a boyish work by an exculpatory word. The thing was my earliest attempt at “poetry always dramatic in principle, and so many utterances of so many imaginary persons, not mine,” which I have since written according to a scheme less extravagant and scale less impracticable than were ventured upon in this crude preliminary sketch, — a sketch that, on reviewal, appears not altogether wide of some hint of the characteristic features of that particular dramatis persona it would fain have reproduced: good draughtsmanship, however, and right handling were far beyond the artist at that time.

London, December 25, 1867. “R. B.”

Twenty years later, upon sending out his final collective edition, Browning added to the preface just quoted the following sentences: —

“I preserve, in order to supplement it, the foregoing preface. I had thought, when compelled to include in my collected works the poem to which it refers, that the honest course would be to reprint, and leave mere literary errors unaltered. Twenty years’ endurance of an eyesore seems more than sufficient: my faults remain duly recorded against me, and I claim permission to somewhat diminish these, so far as style is concerned, in the present and final edition, where Pauline must needs, first of my performances, confront the reader. I have simply removed solecisms, mended the metre a little and endeavored to strengthen the phraseology — experience helping, in some degree, the helplessness of juvenile haste and heat in their untried adventure long ago.”

London, February 27, 1888.

The text here given, as throughout this volume, is that of Mr. Browning’s latest revision. The text of the first revision, i. e. 1867, may be found at the close of volume i. of the Riverside edition.

The quotations from Marot and Cornelius Agrippa which follow were prefixed to the original edition of the poem. The note enclosed in brackets was Browning’s comment on reprinting the poem the last time.

Pauline

Plus ne suis ce que j’ai été,
Et ne le sçaurois jamais être.
Marot.

Non dubito, quin titulus libri nostri raritate sua quamplurimos alliciat ad legendum: inter quos nonnulli obliquæ opinionis, mente languidi, multi etiam maligni, et in ingenium nostrum ingrati accedent, qui temeraria sua ignorantia, vix conspecto titulo clamabunt. Nos vetita docere, hæresium semina jacere: piis auribus offendiculo, præclaris ingeniis scandalo esse: … adeo conscientiæ suæ consulentes, ut nec Apollo, nec Musæ omnes, neque Angelus de cœlo me ab illorum execratione vindicare queant: quibus et ego nunc consulo, ne scripta nostra legant, nec intelligant, nec meminerint: nam noxia sunt, venenosa sunt: Acherontis ostium est in hoc libro, lapides loquitur, caveant, ne cerebrum illis excutiat. Vos autem, qui æqua mente ad legendum venitis, si tantam prudentiæ discretionem adhibueritis, quantam in melle legendo apes, jam securi legite. Puto namque vos et utilitatis haud parum et voluptatis plurimum accepturos. Quod si qua repereritis, quæ vobis non placeant, mittite illa, nec utimini. Nam et ego vobis illa non Probo, sed Narro. Cætera tamen propterea non respuite … Ideo, si quid liberius dictum sit, ignoscite adolescentiæ nostræ, qui minor quam adolescens hoc opus composui. — Hen. Corn. Agrippa, De Occult. Philosoph. in Præfat.

London: January, 1833.
V. A. XX.

[This introduction would appear less absurdly pretentious did it apply, as was intended, to a completed structure of which the poem was meant for only a beginning and remains a fragment.]

Pauline, mine own, bend o’er me — thy soft breast
Shall pant to mine — bend o’er me — thy sweet eyes,
And loosened hair and breathing lips, and arms
Drawing me to thee — these build up a screen
To shut me in with thee, and from all fear;
So that I might unlock the sleepless brood
Of fancies from my soul, their lurking-place,
Nor doubt that each would pass, ne’er to return
To one so watched, so loved and so secured.
But what can guard thee but thy naked love?
Ah dearest, whoso sucks a poisoned wound
Envenoms his own veins! Thou art so good,
So calm — if thou shouldst wear a brow less light
For some wild thought which, but for me, were kept
From out thy soul as from a sacred star!
Yet till I have unlocked them it were vain
To hope to sing; some woe would light on me;
Nature would point at one whose quivering lip
Was bathed in her enchantments, whose brow burned
Beneath the crown to which her secrets knelt,
Who learned the spell which can call up the dead,
And then departed smiling like a fiend
Who has deceived God, — if such one should seek
Again her altars and stand robed and crowned
Amid the faithful! Sad confession first,
Remorse and pardon and old claims renewed,
Ere I can be — as I shall be no more.
I had been spared this shame if I had sat
By thee forever from the first, in place
Of my wild dreams of beauty and of good,
Or with them, as an earnest of their truth:
No thought nor hope having been shut from thee,
No vague wish unexplained, no wandering aim
Sent back to bind on fancy’s wings and seek
Some strange fair world where it might be a law;
But, doubting nothing, had been led by thee,
Through youth, and saved, as one at length awaked
Who has slept through a peril. Ah vain, vain!

Thou lovest me; the past is in its grave
Though its ghost haunts us; still this much is ours,
To cast away restraint, lest a worse thing
Wait for us in the dark. Thou lovest me;
And thou art to receive not love but faith,
For which thou wilt be mine, and smile and take
All shapes and shames, and veil without a fear
That form which music follows like a slave:
And I look to thee and I trust in thee,
As in a Northern night one looks alway
Unto the East for morn and spring and joy.
Thou seest then my aimless, hopeless state,
And, resting on some few old feelings won
Back by thy beauty, wouldst that I essay
The task which was to me what now thou art:
And why should I conceal one weakness more?

Thou wilt remember one warm morn when winter
Crept aged from the earth, and spring’s first breath
Blew soft from the moist hills; the black-thorn boughs,
So dark in the bare wood, when glistening
In the sunshine were white with coming buds,
Like the bright side of a sorrow, and the banks
Had violets opening from sleep like eyes.
I walked with thee who knew’st not a deep shame
Lurked beneath smiles and careless words which sought
To hide it till they wandered and were mute,
As we stood listening on a sunny mound
To the wind murmuring in the damp copse,
Like heavy breathings of some hidden thing
Betrayed by sleep; until the feeling rushed
That I was low indeed, yet not so low
As to endure the calmness of thine eyes.
And so I told thee all, while the cool breast
I leaned on altered not its quiet beating:
And long ere words like a hurt bird’s complaint
Bade me look up and be what I had been,
I felt despair could never live by thee:
Thou wilt remember. Thou art not more dear
Than song was once to me; and I ne’er sung
But as one entering bright halls where all
Will rise and shout for him: sure I must own
That I am fallen, having chosen gifts
Distinct from theirs — that I am sad and fain
Would give up all to be but where I was,
Not high as I had been if faithful found,
But low and weak yet full of hope, and sure
Of goodness as of life — that I would lose
All this gay mastery of mind, to sit
Once more with them, trusting in truth and love
And with an aim — not being what I am.

O Pauline, I am ruined who believed
That though my soul had floated from its sphere
Of wild dominion into the dim orb
Of self — that it was strong and free as ever!
It has conformed itself to that dim orb,
Reflecting all its shades and shapes, and now
Must stay where it alone can be adored.
I have felt this in dreams — in dreams in which
I seemed the fate from which I fled; I felt
A strange delight in causing my decay.
I was a fiend in darkness chained forever
Within some ocean-cave; and ages rolled,
Till through the cleft rock, like a moonbeam, came
A white swan to remain with me; and ages
Rolled, yet I tired not of my first free joy
In gazing on the peace of its pure wings:
And then I said, “It is most fair to me,
Yet its soft wings must sure have suffered change
From the thick darkness, sure its eyes are dim.
Its silver pinions must be cramped and numbed
With sleeping ages here; it cannot leave me,
For it would seem, in light beside its kind,
Withered, though here to me most beautiful.”
And then I was a young witch whose blue eyes,
As she stood naked by the river springs,
Drew down a god: I watched his radiant form
Growing less radiant, and it gladdened me;
Till one morn, as he sat in the sunshine
Upon my knees, singing to me of heaven,
He turned to look at me, ere I could lose
The grin with which I viewed his perishing:
And he shrieked and departed and sat long
By his deserted throne, but sunk at last
Murmuring, as I kissed his lips and curled
Around him, “I am still a god — to thee.”

Still I can lay my soul bare in its fall,
Since all the wandering and all the weakness
Will be a saddest comment on the song:
And if, that done, I can be young again,
I will give up all gained, as willingly
As one gives up a charm which shuts him out
From hope or part or care in human kind.
As life wanes, all its care and strife and toil
Seem strangely valueless, while the old trees
Which grew by our youth’s home, the waving mass
Of climbing plants heavy with bloom and dew,
The morning swallows with their songs like words,
All these seem clear and only worth our thoughts:
So, aught connected with my early life,
My rude songs or my wild imaginings,
How I look on them — most distinct amid
The fever and the stir of after years!

I ne’er had ventured e’en to hope for this,
Had not the glow I felt at His award,
Assured me all was not extinct within:

His whom all honor, whose renown springs up
Like sunlight which will visit all the world,
So that e’en they who sneered at him at first,
Come out to it, as some dark spider crawls
From his foul nets which some lit torch invades,
Yet spinning still new films for his retreat.
Thou didst smile, poet, but can we forgive?

Sun-treader, life and light be thine forever!
Thou art gone from us; years go by and spring
Gladdens and the young earth is beautiful,
Yet thy songs come not, other bards arise,
But none like thee: they stand, thy majesties,
Like mighty works which tell some spirit there
Hath sat regardless of neglect and scorn,
Till, its long task completed, it hath risen
And left us, never to return, and all
Rush in to peer and praise when all in vain.
The air seems bright with thy past presence yet,
But thou art still for me as thou hast been
When I have stood with thee as on a throne
With all thy dim creations gathered round
Like mountains, and I felt of mould like them,
And with them creatures of my own were mixed,
Like things half-lived, catching and giving life.
But thou art still for me who have adored
Though single, panting but to hear thy name
Which I believed a spell to me alone,
Scarce deeming thou wast as a star to men!
As one should worship long a sacred spring
Scarce worth a moth’s flitting, which long grasses cross,
And one small tree embowers droopingly —
Joying to see some wandering insect won
To live in its few rushes, or some locust
To pasture on its boughs, or some wild bird
Stoop for its freshness from the trackless air:
And then should find it but the fountain-head,
Long lost, of some great river washing towns
And towers, and seeing old woods which will live
But by its banks untrod of human foot,
Which, when the great sun sinks, lie quivering
In light as some thing lieth half of life
Before God’s foot, waiting a wondrous change;
Then girt with rocks which seek to turn or stay
Its course in vain, for it does ever spread
Like a sea’s arm as it goes rolling on,
Being the pulse of some great country — so
Wast thou to me, and art thou to the world!
And I, perchance, half feel a strange regret
That I am not what I have been to thee:
Like a girl one has silently loved long
In her first loneliness in some retreat,
When, late emerged, all gaze and glow to view
Her fresh eyes and soft hair and lips which bloom
Like a mountain berry: doubtless it is sweet
To see her thus adored, but there have been
Moments when all the world was in our praise,
Sweeter than any pride of after hours.
Yet, sun-treader, all hail! From my heart’s heart
I bid thee hail! E’en in my wildest dreams,
I proudly feel I would have thrown to dust
The wreaths of fame which seemed o’erhanging me,
To see thee for a moment as thou art.
And if thou livest, if thou lovest, spirit!
Remember me who set this final seal
To wandering thought — that one so pure as thou
Could never die. Remember me who flung
All honor from my soul, yet paused and said,
“There is one spark of love remaining yet,
For I have naught in common with him, shapes
Which followed him avoid me, and foul forms
Seek me, which ne’er could fasten on his mind;
And though I feel how low I am to him,
Yet I aim not even to catch a tone
Of harmonies he called profusely up;
So, one gleam still remains, although the last.”
Remember me who praise thee e’en with tears,
For never more shall I walk calm with thee;
Thy sweet imaginings are as an air,
A melody some wondrous singer sings,
Which, though it haunt men oft in the still eve,
They dream not to essay; yet it no less
But more is honored. I was thine in shame,
And now when all thy proud renown is out,
I am a watcher whose eyes have grown dim
With looking for some star which breaks on him
Altered and worn and weak and full of tears.

Autumn has come like spring returned to us,
Won from her girlishness; like one returned
A friend that was a lover, nor forgets
The first warm love, but full of sober thoughts
Of fading years; whose soft mouth quivers yet
With the old smile, but yet so changed and still!
And here am I the scoffer, who have probed
Life’s vanity, won by a word again
Into my own life — by one little word
Of this sweet friend who lives in loving me,
Lives strangely on my thoughts and looks and words,
As fathoms down some nameless ocean thing
Its silent course of quietness and joy.
O dearest, if indeed I tell the past,
May’st thou forget it as a sad sick dream!
Or if it linger — my lost soul too soon
Sinks to itself and whispers we shall be
But closer linked, two creatures whom the earth
Bears singly, with strange feelings unrevealed
Save to each other; or two lonely things
Created by some power whose reign is done,
Having no part in God or his bright world.
I am to sing whilst ebbing day dies soft,
As a lean scholar dies worn o’er his book,
And in the heaven stars steal out one by one
As hunted men steal to their mountain watch.
I must not think, lest this new impulse die
In which I trust; I have no confidence:
So, I will sing on fast as fancies come;
Rudely, the verse being as the mood it paints.

I strip my mind bare, whose first elements
I shall unveil — not as they struggle forth
In infancy, nor as they now exist,
When I am grown above them and can rule —
But in that middle stage when they were full
Yet ere I had disposed them to my will;
And then I shall show how these elements
Produced my present state, and what it is.

I am made up of an intensest life,
Of a most clear idea of consciousness
Of self, distinct from all its qualities,
From all affections, passions, feelings, powers;
And thus far it exists, if tracked, in all:
But linked, in me, to self-supremacy,
Existing as a centre to all things,
Most potent to create and rule and call
Upon all things to minister to it;
And to a principle of restlessness
Which would be all, have, see, know, taste, feel, all —
This is myself; and I should thus have been
Though gifted lower than the meanest soul.

And of my powers, one springs up to save
From utter death a soul with such desire
Confined to clay — of powers the only one
Which marks me — an imagination which
Has been a very angel, coming not
In fitful visions, but beside me ever
And never failing me; so, though my mind
Forgets not, not a shred of life forgets,
Yet I can take a secret pride in calling
The dark past up to quell it regally.

A mind like this must dissipate itself,
But I have always had one lode-star; now,
As I look back, I see that I have halted
Or hastened as I looked towards that star —
A need, a trust, a yearning after God:
A feeling I have analyzed but late,
But it existed, and was reconciled
With a neglect of all I deemed his laws,
Which yet, when seen in others, I abhorred.
I felt as one beloved, and so shut in
From fear: and thence I date my trust in signs
And omens, for I saw God everywhere;
And I can only lay it to the fruit
Of a sad after-time that I could doubt
Even his being — e’en the while I felt
His presence, never acted from myself,
Still trusted in a hand to lead me through
All danger; and this feeling ever fought
Against my weakest reason and resolve.

And I can love nothing — and this dull truth
Has come the last: but sense supplies a love
Encircling me and mingling with my life.

These make myself: I have long sought in vain
To trace how they were formed by circumstance,
Yet ever found them mould my wildest youth
Where they alone displayed themselves, converted
All objects to their use: now see their course!

They came to me in my first dawn of life
Which passed alone with wisest ancient books
All halo-girt with fancies of my own;
And I myself went with the tale — a god
Wandering after beauty, or a giant
Standing vast in the sunset — an old hunter
Talking with gods, or a high-crested chief
Sailing with troops of friends to Tenedos.
I tell you, naught has ever been so clear
As the place, the time, the fashion of those lives:
I had not seen a work of lofty art,
Nor woman’s beauty nor sweet nature’s face,
Yet, I say, never morn broke clear as those
On the dim clustered isles in the blue sea,
The deep groves and white temples and wet caves:
And nothing ever will surprise me now —
Who stood beside the naked Swift-footed,
Who bound my forehead with Proserpine’s hair.

And strange it is that I who could so dream
Should e’er have stooped to aim at aught beneath —
Aught low or painful; but I never doubted:
So, as I grew, I rudely shaped my life
To my immediate wants; yet strong beneath
Was a vague sense of power though folded up —
A sense that, though those shades and times were past,
Their spirit dwelt in me, with them should rule.

Then came a pause, and long restraint chained down
My soul till it was changed. I lost myself,
And were it not that I so loathe that loss,
I could recall how first I learned to turn
My mind against itself; and the effects
In deeds for which remorse were vain as for
The wanderings of delirious dream; yet thence
Came cunning, envy, falsehood, all world’s wrong
That spotted me: at length I cleansed my soul.
Yet long world’s influence remained; and naught
But the still life I led, apart once more,
Which left me free to seek soul’s old delights,
Could e’er have brought me thus far back to peace.

As peace returned, I sought out some pursuit;
And song rose, no new impulse but the one
With which all others best could be combined.
My life has not been that of those whose heaven
Was lampless save where poesy shone out;
But as a clime where glittering mountain-tops
And glancing sea and forests steeped in light
Give back reflected the far-flashing sun;
For music (which is earnest of a heaven,
Seeing we know emotions strange by it,
Not else to be revealed,) is like a voice,
A low voice calling fancy, as a friend,
To the green woods in the gay summer time:
And she fills all the way with dancing shapes
Which have made painters pale, and they go on
Till stars look at them and winds call to them
As they leave life’s path for the twilight world
Where the dead gather. This was not at first,
For I scarce knew what I would do. I had
An impulse but no yearning — only sang.

And first I sang as I in dream have seen
Music wait on a lyrist for some thought,
Yet singing to herself until it came.
I turned to those old times and scenes where all
That’s beautiful had birth for me, and made
Rude verses on them all; and then I paused —
I had done nothing, so I sought to know
What other minds achieved. No fear outbroke
As on the works of mighty bards I gazed,
In the first joy at finding my own thoughts
Recorded, my own fancies justified,
And their aspirings but my very own.
With them I first explored passion and mind, —
All to begin afresh! I rather sought
To rival what I wondered at than form
Creations of my own; if much was light
Lent by the others, much was yet my own.

I paused again: a change was coming — came:
I was no more a boy, the past was breaking
Before the future and like fever worked.
I thought on my new self, and all my powers
Burst out. I dreamed not of restraint, but gazed
On all things: schemes and systems went and came,
And I was proud (being vainest of the weak)
In wandering o’er thought’s world to seek some one
To be my prize, as if you wandered o’er
The White Way for a star.

And my choice fell
Not so much on a system as a man —
On one, whom praise of mine shall not offend,
Who was as calm as beauty, being such
Unto mankind as thou to me, Pauline, —
Believing in them and devoting all
His soul’s strength to their winning back to peace;
Who sent forth hopes and longings for their sake,
Clothed in all passion’s melodies: such first
Caught me and set me, slave of a sweet task,
To disentangle, gather sense from song:
Since, song-inwoven, lurked there words which seemed
A key to a new world, the muttering
Of angels, something yet unguessed by man.
How my heart leapt as still I sought and found
Much there, I felt my own soul had conceived,
But there living and burning! Soon the orb
Of his conceptions dawned on me; its praise
Lives in the tongues of men, men’s brows are high
When his name means a triumph and a pride,
So, my weak voice may well forbear to shame
What seemed decreed my fate: I threw myself
To meet it, I was vowed to liberty,
Men were to be as gods and earth as heaven,
And I — ah, what a life was mine to prove!
My whole soul rose to meet it. Now, Pauline,
I shall go mad, if I recall that time!

Oh let me look back ere I leave forever
The time which was an hour one fondly waits
For a fair girl that comes a withered hag!
And I was lonely, far from woods and fields,
And amid dullest sights, who should be loose
As a stag; yet I was full of bliss, who lived
With Plato and who had the key to life;
And I had dimly shaped my first attempt,
And many a thought did I build up on thought,
As the wild bee hangs cell to cell; in vain,
For I must still advance, no rest for mind.

‘T was in my plan to look on real life,
The life all new to me; my theories
Were firm, so them I left, to look and learn
Mankind, its cares, hopes, fears, its woes and joys;
And, as I pondered on their ways, I sought
How best life’s end might be attained — an end
Comprising every joy. I deeply mused.

And suddenly without heart-wreck I awoke
As from a dream: I said, “‘T was beautiful,
Yet but a dream, and so adieu to it!”
As some world-wanderer sees in a far meadow
Strange towers and high-walled gardens thick with trees,
Where song takes shelter and delicious mirth
From laughing fairy creatures peeping over,
And on the morrow when he comes to lie
Forever ‘neath those garden-trees fruit-flushed
Sung round by fairies, all his search is vain.
First went my hopes of perfecting mankind,
Next — faith in them, and then in freedom’s self
And virtue’s self, then my own motives, ends
And aims and loves, and human love went last.
I felt this no decay, because new powers
Rose as old feelings left — wit, mockery,
Light-heartedness; for I had oft been sad,
Mistrusting my resolves, but now I cast
Hope joyously away: I laughed and said,
“No more of this!” I must not think: at length
I looked again to see if all went well.

My powers were greater: as some temple seemed
My soul, where naught is changed and incense rolls
Around the altar, only God is gone
And some dark spirit sitteth in his seat.
So, I passed through the temple and to me
Knelt troops of shadows, and they cried, “Hail, king!
We serve thee now and thou shalt serve no more!
Call on us, prove us, let us worship thee!”
And I said, “Are ye strong? Let fancy bear me
Far from the past!” And I was borne away,
As Arab birds float sleeping in the wind,
O’er deserts, towers and forests, I being calm.
And I said, “I have nursed up energies,
They will prey on me.” And a band knelt low
And cried, “Lord, we are here and we will make
Safe way for thee in thine appointed life!
But look on us!" And I said, “Ye will worship
Me; should my heart not worship too?” They shouted,
“Thyself, thou art our king!’’ So, I stood there
Smiling — oh, vanity of vanities!
For buoyant and rejoicing was the spirit
With which I looked out how to end my course;
I felt once more myself, my powers — all mine;
I knew while youth and health so lifted me
That, spite of all life’s nothingness, no grief
Came nigh me, I must ever be light-hearted;
And that this knowledge was the only veil
Betwixt joy and despair: so, if age came,
I should be left — a wreck linked to a soul
Yet fluttering, or mind-broken and aware
Of my decay. So a long summer morn
Found me; and ere noon came, I had resolved
No age should come on me ere youth was spent,
For I would wear myself out, like that morn
Which wasted not a sunbeam; every hour
I would make mine, and die.

And thus I sought
To chain my spirit down which erst I freed
For flights to fame: I said, “The troubled life
Of genius, seen so gay when working forth
Some trusted end, grows sad when all proves vain —
How sad when men have parted with truth’s peace
For falsest fancy’s sake, which waited first
As an obedient spirit when delight
Came without fancy’s call: but alters soon,
Comes darkened, seldom, hastens to depart,
Leaving a heavy darkness and warm tears.
But I shall never lose her; she will live
Dearer for such seclusion. I but catch
A hue, a glance of what I sing: so, pain
Is linked with pleasure, for I ne’er may tell
Half the bright sights which dazzle me; but now
Mine shall be all the radiance: let them fade
Untold — others shall rise as fair, as fast!
And when all's done, the few dim gleams transferred,’’ —
(For a new thought sprang up how well it were,
Discarding shadowy hope, to weave such lays
As straight encircle men with praise and love,
So, I should not die utterly, — should bring
One branch from the gold forest, like the knight
Of old tales, witnessing I had been there) —
“And when all’s done, how vain seems e’en success —
The vaunted influence poets have o’er men!
‘Tis a fine thing that one weak as myself
Should sit in his lone room, knowing the words
He utters in his solitude shall move
Men like a swift wind — that though dead and gone,
New eyes shall glisten when his beauteous dreams
Of love come true in happier frames than his.
Ay, the still night brings thoughts like these, but morn
Comes and the mockery again laughs out
At hollow praises, smiles allied to sneers;
And my soul’s idol ever whispers me
To dwell with him and his unhonored song:
And I foreknow my spirit, that would press
First in the struggle, fail again to make
All bow enslaved, and I again should sink.

“And then know that this curse will come on us,
To see our idols perish; we may wither,
No marvel, we are clay, but our low fate
Should not extend to those whom trustingly
We sent before into time’s yawning gulf
To face what dread may lurk in darkness there.
To find the painter’s glory pass, and feel
Music can move us not as once, or, worst,
To weep decaying wits ere the frail body
Decays! Naught makes me trust some love is true,
But the delight of the contented lowness
With which I gaze on him I keep forever
Above me; I to rise and rival him?
Feed his fame rather from my heart’s best blood,
Wither unseen that he may flourish still.”

Pauline, my soul’s friend, thou dost pity yet
How this mood swayed me when that soul found thine,
When I had set myself to live this life,
Defying all past glory. Ere thou camest
I seemed defiant, sweet, for old delights
Had flocked like birds again; music, my life,
Nourished me more than ever; then the lore
Loved for itself and all it shows — that king
Treading the purple calmly to his death,
While round him, like the clouds of eve, all dusk,
The giant shades of fate, silently flitting,
Pile the dim outline of the coming doom;
And him sitting alone in blood while friends
Are hunting far in the sunshine; and the boy
With his white breast and brow and clustering curls
Streaked with his mother’s blood, but striving hard
To tell his story ere his reason goes.
And when I loved thee as love seemed so oft,
Thou lovedst me indeed: I wondering searched
My heart to find some feeling like such love,
Believing I was still much I had been.
Too soon I found all faith had gone from me,
And the late glow of life, like change on clouds,
Proved not the morn-blush widening into day,
But eve faint-colored by the dying sun
While darkness hastens quickly. I will tell
My state as though ‘t were none of mine — despair
Cannot come near us — this it is, my state.

Souls alter not, and mine must still advance;
Strange that I knew not, when I flung away
My youth’s chief aims, their loss might lead to loss
Of what few I retained, and no resource
Be left me: for behold how changed is all!
I cannot chain my soul: it will not rest
In its clay prison, this most narrow sphere:
It has strange impulse, tendency, desire,
Which nowise I account for nor explain,
But cannot stifle, being bound to trust
All feelings equally, to hear all sides:
How can my life indulge them? yet they live,
Referring to some state of life unknown.

My selfishness is satiated not,
It wears me like a flame; my hunger for
All pleasure, howsoe’er minute, grows pain;
I envy — how I envy him whose soul
Turns its whole energies to some one end,
To elevate an aim, pursue success
However mean! So, my still baffled hope
Seeks out abstractions; I would have one joy,
But one in life, so it were wholly mine,
One rapture all my soul could fill: and this
Wild feeling places me in dream afar
In some vast country where the eye can see
No end to the far hills and dales bestrewn
With shining towers and towns, till I grow mad
Well-nigh, to know not one abode but holds
Some pleasure, while my soul could grasp the world,
But must remain this vile form’s slave. I look
With hope to age at last, which quenching much,
May let me concentrate what sparks it spares.

This restlessness of passion meets in me
A craving after knowledge: the sole proof
Of yet commanding will is in that power
Repressed; for I beheld it in its dawn,
The sleepless harpy with just-budding wings,
And I considered whether to forego
All happy ignorant hopes and fears, to live,
Finding a recompense in its wild eyes.
And when I found that I should perish so,
I bade its wild eyes close from me forever,
And I am left alone with old delights;
See! it lies in me a chained thing, still prompt
To serve me if I loose its slightest bond:
I cannot but be proud of my bright slave.

How should this earth’s life prove my only sphere?
Can I so narrow sense but that in life
Soul still exceeds it? In their elements
My love outsoars my reason; but since love
Perforce receives its object from this earth
While reason wanders chainless, the few truths
Caught from its wanderings have sufficed to quell
Love chained below; then what were love, set free,
Which, with the object it demands, would pass
Reason companioning the seraphim?
No, what I feel may pass all human love
Yet fall far short of what my love should be.
And yet I seem more warped in this than aught,
Myself stands out more hideously: of old
I could forget myself in friendship, fame,
Liberty, nay, in love of mightier souls;
But I begin to know what thing hate is —
To sicken and to quiver and grow white —
And I myself have furnished its first prey.
Hate of the weak and ever-wavering will,
The selfishness, the still-decaying frame …
But I must never grieve whom wing can waft
Far from such thoughts — as now. Andromeda!
And she is with me: years roll, I shall change,
But change can touch her not — so beautiful
With her fixed eyes, earnest and still, and hair
Lifted and spread by the salt-sweeping breeze,
And one red beam, all the storm leaves in heaven,
Resting upon her eyes and hair, such hair,
As she awaits the snake on the wet beach
By the dark rock and the white wave just breaking
At her feet; quite naked and alone; a thing
I doubt not, nor fear for, secure some god
To save will come in thunder from the stars.
Let it pass! Soul requires another change.
I will be gifted with a wondrous mind,
Yet sunk by error to men’s sympathy,
And in the wane of life, yet only so
As to call up their fears; and there shall come
A time requiring youth’s best energies;
And lo, I fling age, sorrow, sickness off,
And rise triumphant, triumph through decay.
And thus it is that I supply the chasm
‘Twixt what I am and all I fain would be:
But then to know nothing, to hope for nothing,
To seize on life’s dull joys from a strange fear
Lest, losing them, all’s lost and naught remains!

There’s some vile juggle with my reason here;
I feel I but explain to my own loss
These impulses: they live no less the same.
Liberty! what though I despair? my blood
Rose never at a slave’s name proud as now.
Oh sympathies, obscured by sophistries! —
Why else have I sought refuge in myself,
But from the woes I saw and could not stay?
Love! is not this to love thee, my Pauline?
I cherish prejudice, lest I be left
Utterly loveless? witness my belief
In poets, though sad change has come there too;
No more I leave myself to follow them —
Unconsciously I measure me by them —
Let me forget it: and I cherish most
My love of England — how her name, a word
Of hers in a strange tongue makes my heart beat!

Pauline, could I but break the spell! Not now —
All’s fever — but when calm shall come again,
I am prepared: I have made life my own.
I would not be content with all the change
One frame should feel, but I have gone in thought
Through all conjuncture, I have lived all life
When it is most alive, where strangest fate
New-shapes it past surmise — the throes of men
Bit by some curse or in the grasps of doom
Half-visible and still-increasing round,
Or crowning their wide being’s general aim.

These are wild fancies, but I feel, sweet friend,
As one breathing his weakness to the ear
Of pitying angel — dear as a winter flower,
A slight flower growing alone, and offering
Its frail cup of three leaves to the cold sun,
Yet joyous and confiding like the triumph
Of a child: and why am I not worthy thee?
I can live all the life of plants, and gaze
Drowsily on the bees that flit and play,
Or bare my breast for sunbeams which will kill,
Or open in the night of sounds, to look
For the dim stars; I can mount with the bird
Leaping airily his pyramid of leaves
And twisted boughs of some tall mountain tree,
Or rise cheerfully springing to the heavens;
Or like a fish breathe deep the morning air
In the misty sun-warm water; or with flower
And tree can smile in light at the sinking sun
Just as the storm comes, as a girl would look
On a departing lover — most serene.

Pauline, come with me, see how I could build
A home for us, out of the world, in thought!
I am uplifted: fly with me, Pauline!

Night, and one single ridge of narrow path
Between the sullen river and the woods
Waving and muttering, for the moonless night
Has shaped them into images of life,
Like the uprising of the giant-ghosts,
Looking on earth to know how their sons fare:
Thou art so close by me, the roughest swell
Of wind in the tree-tops hides not the panting
Of thy soft breasts. No, we will pass to morning —
Morning, the rocks and valleys and old woods.
How the sun brightens in the mist, and here,
Half in the air, like creatures of the place,
Trusting the element, living on high boughs
That swing in the wind — look at the silver spray
Flung from the foam-sheet of the cataract
Amid the broken rocks! Shall we stay here
With the wild hawks? No, ere the hot noon come,
Dive we down — safe! See this our new retreat
Walled in with a sloped mound of matted shrubs,
Dark, tangled, old and green, still sloping down
To a small pool whose waters lie asleep
Amid the trailing boughs turned water-plants:
And tall trees overarch to keep us in,
Breaking the sunbeams into emerald shafts,
And in the dreamy water one small group
Of two or three strange trees are got together
Wondering at all around, as strange beasts herd
Together far from their own land: all wildness,
No turf nor moss, for boughs and plants pave all,
And tongues of bank go shelving in the lymph,
Where the pale-throated snake reclines his head,
And old gray stones lie making eddies there,
The wild-mice cross them dry-shod. Deeper in!
Shut thy soft eyes — now look — still deeper in!
This is the very heart of the woods all round
Mountain-like heaped above us; yet even here
One pond of water gleams; far off the river
Sweeps like a sea, barred out from land; but one —
One thin clear sheet has overleaped and wound
Into this silent depth, which gained, it lies
Still, as but let by sufferance; the trees bend
O’er it as wild men watch a sleeping girl,
And through their roots long creeping plants out-stretch
Their twined hair, steeped and sparkling; farther on,
Tall rushes and thick flag-knots have combined
To narrow it; so, at length, a silver thread,
It winds, all noiselessly through the deep wood
Till through a cleft-way, through the moss and stone,
It joins its parent-river with a shout.

Up for the glowing day, leave the old woods!
See, they part like a ruined arch: the sky!
Nothing but sky appears, so close the roots
And grass of the hill-top level with the air —
Blue sunny air, where a great cloud floats laden
With light, like a dead whale that white birds pick,
Floating away in the sun in some north sea.
Air, air, fresh life-blood, thin and searching air,
The clear, dear breath of God that loveth us,
Where small birds reel and winds take their delight!
Water is beautiful, but not like air:
See, where the solid azure waters lie
Made as of thickened air, and down below,
The fern-ranks like a forest spread themselves
As though each pore could feel the element;
Where the quick glancing serpent winds his way,
Float with me there, Pauline! — but not like air.

Down the hill! Stop — a clump of trees, see, set
On a heap of rock, which look o’er the far plain:
So, envious climbing shrubs would mount to rest
And peer from their spread boughs; wide they wave, looking
At the muleteers who whistle on their way,
To the merry chime of morning bells, past all
The little smoking cots, mid fields and banks
And copses bright in the sun. My spirit wanders:
Hedgerows for me — those living hedgerows where
The bushes close and clasp above and keep
Thought in — I am concentrated — I feel;
But my soul saddens when it looks beyond:
I cannot be immortal, taste all joy.