Metamorphoses, Book 10
Category: Verse
Level 10.2 0:57 h 33.9 mb
Orpheus, the greatest musician of the age, charms all of nature with his song—but his heart is fixed on winning back his lost bride, Eurydice, from the realm of the dead. His voice moves even the gods of the underworld, but love and fate walk a delicate line. Afterward, Orpheus sings of other loves transformed by longing and loss: Pygmalion’s ivory statue that warms to life, the tragic Myrrha, and the birth of Adonis, whose beauty will one day capture Venus’s heart. Music, desire, and transformation weave through every story.

Metamorphoses

Book 10

by
P. Ovidius Naso


Metamorphoses, Book 10

Orpheus et Eurydice

Orpheus and Eurydice

Veiled in a saffron mantle, through the air
unmeasured, after the strange wedding, Hymen
departed swiftly for Ciconian land;
regardless and not listening to the voice
of tuneful Orpheus. Truly Hymen there
was present during the festivities
of Orpheus and Eurydice, but gave
no happy omen, neither hallowed words
nor joyful glances; and the torch he held
would only sputter, filling the eyes with smoke,
and cause no blaze while waving. The result
of that sad wedding, proved more terrible
than such foreboding fates.

While through the grass
delighted Naiads wandered with the bride,
a serpent struck its venomed tooth in her
soft ankle — and she died. — After the bard
of Rhodope had mourned, and filled the highs
of heaven with the moans of his lament,
determined also the dark underworld
should recognize the misery of death,
he dared descend by the Taenarian gate
down to the gloomy Styx. And there passed through
pale-glimmering phantoms, and the ghosts
escaped from sepulchres, until he found
Persephone and Pluto, master-king
of shadow realms below: and then began
to strike his tuneful lyre, to which he sang: —

“O deities of this dark world beneath
the earth! this shadowy underworld, to which
all mortals must descend! If it can be
called lawful, and if you will suffer speech
of strict truth (all the winding ways
of Falsity forbidden) I come not
down here because of curiosity
to see the glooms of Tartarus and have
no thought to bind or strangle the three necks
of the Medusan Monster, vile with snakes.
But I have come, because my darling wife
stepped on a viper that sent through her veins
death-poison, cutting off her coming years.

“If able, I would bear it, I do not
deny my effort — but the god of Love
has conquered me — a god so kindly known
in all the upper world. We are not sure
he can be known so well in this deep world,
but have good reason to conjecture he
is not unknown here, and if old report
almost forgotten, that you stole your wife
is not a fiction, Love united you
the same as others. By this Place of Fear
this huge void and these vast and silent realms,
renew the life-thread of Eurydice.

“All things are due to you, and though on earth
it happens we may tarry a short while,
slowly or swiftly we must go to one
abode; and it will be our final home.
Long and tenaciously you will possess
unquestioned mastery of the human race.
She also shall be yours to rule, when full
of age she shall have lived the days of her
allotted years. So I ask of you
possession of her few days as a boon.
But if the fates deny to me this prayer
for my true wife, my constant mind must hold
me always so that I can not return —
and you may triumph in the death of two!”

While he sang all his heart said to the sound
of his sweet lyre, the bloodless ghosts themselves
were weeping, and the anxious Tantalus
stopped clutching at return-flow of the wave,
Ixion’s twisting wheel stood wonder-bound;
and Tityus’ liver for a while escaped
the vultures, and the listening Belides
forgot their sieve-like bowls and even you,
O Sisyphus! sat idly on your rock!

Then Fame declared that conquered by the song
of Orpheus, for the first and only time
the hard cheeks of the fierce Eumenides
were wet with tears: nor could the royal queen,
nor he who rules the lower world deny
the prayer of Orpheus; so they called to them
Eurydice, who still was held among
the new-arriving shades, and she obeyed
the call by walking to them with slow steps,
yet halting from her wound.

So Orpheus then
received his wife; and Pluto told him he
might now ascend from these Avernian vales
up to the light, with his Eurydice;
but, if he turned his eyes to look at her,
the gift of her delivery would be lost.

They picked their way in silence up a steep
and gloomy path of darkness. There remained
but little more to climb till they would touch
earth’s surface, when in fear he might again
lose her, and anxious for another look
at her, he turned his eyes so he could gaze
upon her. Instantly she slipped away.
He stretched out to her his despairing arms,
eager to rescue her, or feel her form,
but could hold nothing save the yielding air.
Dying the second time, she could not say
a word of censure of her husband’s fault;
what had she to complain of — his great love?
Her last word spoken was, “Farewell!” which he
could barely hear, and with no further sound
she fell from him again to Hades. —

Struck
quite senseless by this double death of his
dear wife, he was as fixed from motion as
the frightened one who saw the triple necks
of Cerberus, that dog whose middle neck
was chained. The sight filled him with terror he
had no escape from, until petrified
to stone; or like Olenos, changed to stone,
because he fastened on himself the guilt
of his wife. O unfortunate Lethaea!
Too boastful of your beauty, you and he,
united once in love, are now two stones
upon the mountain Ida, moist with springs.

Orpheus implored in vain the ferryman
to help him cross the River Styx again,
but was denied the very hope of death.
Seven days he sat upon Death’s river bank,
in squalid misery and without all food —
nourished by grief, anxiety, and tears —
complaining that the Gods of Erebus
were pitiless, at last he wandered back,
until he came to lofty Rhodope
and Haemus, beaten by the strong north wind.

Three times the Sun completed his full course
to watery Pisces, and in all that time,
shunning all women, Orpheus still believed
his love-pledge was forever. So he kept
away from women, though so many grieved,
because he took no notice of their love.
The only friendship he enjoyed was given
to the young men of Thrace.


Arbores Motae.
Cyparissus

Attis

There was a hill
which rose up to a level plateau, high
and beautiful with green grass; and there was
not any shade for comfort on the top
and there on that luxuriant grass the bard,
while heaven-inspired reclined, and struck
such harmonies on his sweet lyre that shade
most grateful to the hill was spread around.

Strong trees came up there — the Chaonian oak
the Heliads’ poplar, and the lofty-branched
deep mast-tree, the soft linden and the beech,
the brittle hazel, and the virgin laurel-tree,
the ash for strong spears, the smooth silver-fir,
the flex bent with acorns and the plane,
the various tinted maple and with those,
the lotus and green willows from their streams,
evergreen box and slender tamarisks,
rich myrtles of two colors and the tine,
bending with green-blue berries: and you, too,
the pliant-footed ivy, came along
with tendril-branching grape-vines, and the elm
all covered with twist-vines, the mountain-ash,
pitch-trees and arbute-trees of blushing fruit,
the bending-palm prized after victories,
the bare-trunk pine of tufted foliage,
bristled upon the top, a pleasant sight
delightful to the Mother of the Gods;
since Attis dear to Cybele, exchanged
his human form which hardened in that tree.

Cyparissus

In all the throng the cone-shaped cypress came;
a tree now, it was changed from a dear youth
loved by the god who strings the lyre and bow.
For there was at one time, a mighty stag
held sacred by those nymphs who haunt the fields
Carthaean. His great antlers spread so wide,
they gave an ample shade to his own head.
Those antlers shone with gold: from his smooth throat
a necklace, studded with a wealth of gems,
hung down to his strong shoulders — beautiful.
A silver boss, fastened with little thongs,
played on his forehead, worn there from his birth;
and pendants from both ears, of gleaming pearls,
adorned his hollow temples. Free of fear,
and now no longer shy, frequenting homes
of men he knew, he offered his soft neck
even to strangers for their petting hands.

But more than by all others, he was loved
by you, O Cyparissus, fairest youth
of all the lads of Cea. It was you
who led the pet stag to fresh pasturage,
and to the waters of the clearest spring.
Sometimes you wove bright garlands for his horns,
and sometimes, like a horseman on his back,
now here now there, you guided his soft mouth
with purple reins.

It was upon a summer day,
at high noon when the Crab, of spreading claws,
loving the sea-shore, almost burnt beneath
the sun’s hot burning rays; and the pet stag
was then reclining on the grassy earth
and, wearied of all action, found relief
under the cool shade of the forest trees;
that as he lay there Cyparissus pierced
him with a javelin: and although it was
quite accidental, when the shocked youth saw
his loved stag dying from the cruel wound
he could not bear it, and resolved on death.

What did not Phoebus say to comfort him?
He cautioned him to hold his grief in check,
consistent with the cause. But still the lad
lamented, and with groans implored the Gods
that he might mourn forever. His life force
exhausted by long weeping, now his limbs
began to take a green tint, and his hair,
which overhung his snow-white brow, turned up
into a bristling crest; and he became
a stiff tree with a slender top and pointed
up to the starry heavens. And the God,
groaning with sorrow, said; “You shall be mourned
sincerely by me, surely as you mourn
for others, and forever you shall stand
in grief, where others grieve.”


Ganymedes. Hyacinthus

Such was the grove
by Orpheus drawn together; and he sat
surrounded by assembled animals,
and many strange Birds. When he tried the chords
by touching with his thumb, and was convinced
the notes were all in harmony, although
attuned to various melody, he raised
his voice and sang:

“Oh my loved mother, Muse,
from Jove inspire my song — for all things yield,
to the unequalled sway of Jove — oh, I
have sung so often Jupiter’s great power
before this day, and in a wilder strain,
I’ve sung the giants and victorious bolts
hurled on Phlegraean plains. But now I need
the gentler touch; for I would sing of boys,
the favorites of Gods, and even of maids
who had to pay the penalty of wrong.”

Ganymede

The king of all the Gods once burned with love
for Ganymede of Phrygia. He found
a shape more pleasing even than his own.
Jove would not take the form of any bird,
except the eagle’s, able to sustain
the weight of his own thunderbolts. Without
delay, Jove on fictitious eagle wings,
stole and flew off with that loved Trojan boy:
who even to this day, against the will
of Juno, mingles nectar in the cups
of his protector, mighty Jupiter.

Hyacinthus

You also, Hyacinthus, would have been
set in the sky! if Phoebus had been given
time which the cruel fates denied for you.
But in a way you are immortal too,
though you have died. Always when warm spring
drives winter out, and Aries (the Ram)
succeeds to Pisces (watery Fish), you rise
and blossom on the green turf. And the love
my father had for you was deeper than he felt
for others.

Delphi center of the world,
had no presiding guardian, while the God
frequented the Eurotas and the land
of Sparta, never fortified with walls.
His zither and his bow no longer fill
his eager mind and now without a thought
of dignity, he carried nets and held
the dogs in leash, and did not hesitate
to go with Hyacinthus on the rough,
steep mountain ridges; and by all of such
associations, his love was increased.

Now Titan was about midway, betwixt
the coming and the banished night, and stood
at equal distance from those two extremes.
Then, when the youth and Phoebus were well stripped,
and gleaming with rich olive oil, they tried
a friendly contest with the discus. First
Phoebus, well-poised, sent it awhirl through air,
and cleft the clouds beyond with its broad weight;
from which at length it fell down to the earth,
a certain evidence of strength and skill.
Heedless of danger Hyacinthus rushed
for eager glory of the game, resolved
to get the discus. But it bounded back
from off the hard earth, and struck full against
your face, O Hyacinthus!

Deadly pale
the God’s face went — as pallid as the boy’s.
With care he lifted the sad huddled form.
The kind god tries to warm you back to life,
and next endeavors to attend your wound,
and stay your parting soul with healing herbs.
His skill is no advantage, for the wound
is past all art of cure. As if someone,
when in a garden, breaks off violets,
poppies, or lilies hung from golden stems,
then drooping they must hang their withered heads,
and gaze down towards the earth beneath them; so,
the dying boy’s face droops, and his bent neck,
a burden to itself, falls back upon
his shoulder:

“You are fallen in your prime
defrauded of your youth, O Hyacinthus!”
Moaned Apollo. “I can see in your sad wound
my own guilt, and you are my cause of grief
and self-reproach. My own hand gave you death
unmerited — I only can be charged
with your destruction. — What have I done wrong?
Can it be called a fault to play with you?
Should loving you be called a fault? And oh,
that I might now give up my life for you!
Or die with you!

But since our destinies
prevent us you shall always be with me,
and you shall dwell upon my care-filled lips.
The lyre struck by my hand, and my true songs
will always celebrate you. A new flower
you shall arise, with markings on your petals,
close imitation of my constant moans:
and there shall come another to be linked
with this new flower, a valiant hero shall
be known by the same marks upon its petals.”

And while Phoebus, Apollo, sang these words
with his truth-telling lips, behold the blood
of Hyacinthus, which had poured out on
the ground beside him and there stained the grass,
was changed from blood; and in its place a flower,
more beautiful than Tyrian dye, sprang up.
It almost seemed a lily, were it not
that one was purple and the other white.

But Phoebus was not satisfied with this.
For it was he who worked the miracle
of his sad words inscribed on flower leaves.
These letters AI, AI, are inscribed
on them. And Sparta certainly is proud
to honor Hyacinthus as her son;
and his loved fame endures; and every year
they celebrate his solemn festival.


Cerastae et Propoetides

The Cerastae and Propoetides

If you should ask Amathus, which is rich
in metals, how can she rejoice and take
a pride in deeds of her Propoetides;
she would disclaim it and repudiate
them all, as well as those of transformed men,
whose foreheads were deformed by two rough horns,
from which their name Cerastae. By their gates
an altar unto Jove stood. If by chance
a stranger, not informed of their dark crimes,
had seen the horrid altar smeared with blood,
he would suppose that suckling calves and sheep
of Amathus, were sacrificed thereon —
it was in fact the blood of slaughtered guests!

Kind-hearted Venus, outraged by such deeds
of sacrifice, was ready to desert
her cities and her snake-infested plains;
“But how,” said she, “have their delightful lands
together with my well built cities sinned?
What crime have they done? — Those inhabitants
should pay the penalty of their own crimes
by exile or by death; or it may be
a middle course, between exile and death;
and what can that be, but the punishment
of a changed form?”

And while she hesitates,
in various thoughts of what form they should take,
her eyes by chance, observed their horns,
and that decided her; such horns could well
be on them after any change occurred,
and she transformed their big and brutal bodies
to savage bulls.

But even after that,
the obscene Propoetides dared to deny
divinity of Venus, for which fault,
(and it is common fame) they were the first
to criminate their bodies, through the wrath
of Venus; and so blushing shame was lost,
white blood, in their bad faces grew so fast,
so hard, it was no wonder they were turned
with small change into hard and lifeless stones.


Pygmalion

Pygmalion and the Statue

Pygmalion saw these women waste their lives
in wretched shame, and critical of faults
which nature had so deeply planted through
their female hearts, he lived in preference,
for many years unmarried. — But while he
was single, with consummate skill, he carved
a statue out of snow-white ivory,
and gave to it exquisite beauty, which
no woman of the world has ever equalled:

she was so beautiful, he fell in love
with his creation. It appeared in truth
a perfect virgin with the grace of life,
but in the expression of such modesty
all motion was restrained — and so his art
concealed his art.

Pygmalion gazed, inflamed
with love and admiration for the form,
in semblance of a woman, he had carved.
He lifts up both his hands to feel the work,
and wonders if it can be ivory,
because it seems to him more truly flesh. —
his mind refusing to conceive of it
as ivory, he kisses it and feels
his kisses are returned. And speaking love,
caresses it with loving hands that seem
to make an impress, on the parts they touch,
so real that he fears he then may bruise
her by his eager pressing. Softest tones
are used each time he speaks to her. He brings
to her such presents as are surely prized
by sweet girls; such as smooth round pebbles, shells,
and birds, and fragrant flowers of thousand tints,
lilies, and painted balls, and amber tears
of Heliads, which distill from far off trees. —
he drapes her in rich clothing and in gems:
rings on her fingers, a rich necklace round
her neck, pearl pendants on her graceful ears;
and golden ornaments adorn her breast.
All these are beautiful — and she appears
most lovable, if carefully attired, —
or perfect as a statue, unadorned.

He lays her on a bed luxurious, spread
with coverlets of Tyrian purple dye,
and naming her the consort of his couch,
lays her reclining head on the most soft
and downy pillows, trusting she could feel.

The festal day of Venus, known throughout
all Cyprus, now had come, and throngs were there
to celebrate. Heifers with spreading horns,
all gold-tipped, fell when given the stroke of death
upon their snow-white necks; and frankincense
was smoking on the altars.

There, intent,
Pygmalion stood before an altar, when
his offering had been made; and although he
feared the result, he prayed: “If it is true,
O Gods, that you can give all things, I pray
to have as my wife — ” but, he did not dare
to add “my ivory statue-maid,” and said,
“One like my ivory — .”

WholeReader. Empty coverWholeReader. Book is closedWholeReader. FilterWholeReader. Compilation cover