The Lady From The Sea, Henrik Ibsen
The Lady From The Sea
Henrik Ibsen
Category: Drama
Genres: Psychological fiction,Romance
Level 7.433:15 h68.8 mb
The Lady from the Sea (Norwegian: Fruen fra havet) is a play written in 1888 by Norwegian playwright Henrik Ibsen inspired by the ballad Agnete og Havmanden. This play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea.

The Lady From the Sea

by
Henrik Ibsen

Translated by Eleanor Marx-Aveling

The Lady From The Sea

Dramatis Personae

Doctor Wangel.
Ellida Wangel, his second wife.
Bolette,
Hilde (not yet grown up), his daughters by his first wife.
Arnholm (second master at a college).
Lyngstrand.
Ballested.
A Stranger.
Young People of the Town.
Tourists.
Visitors.

(The action takes place in small fjord town, Northern Norway.)

Act I

(Scene. — Doctor Wangel’s house, with a large verandah garden in front of and around the house. Under the verandah a flagstaff. In the garden an arbour, with table and chairs. Hedge, with small gate at the back. Beyond, a road along the seashore. An avenue of trees along the road. Between the trees are seen the fjord, high mountain ranges and peaks. A warm and brilliantly clear summer morning.

Ballested, middle-aged, wearing an old velvet jacket, and a broad-brimmed artist’s hat, stands under the flagstaff, arranging the ropes. The flag is lying on the ground. A little way from him is an easel, with an outspread canvas. By the easel on a camp-stool, brushes, a palette, and box of colours.

Bolette Wangel comes from the room opening on the verandah. She carries a large vase with flowers, which she puts down on the table.)

Bolette. Well, Ballested, does it work smoothly?

Ballested. Certainly, Miss Bolette, that’s easy enough. May I ask — do you expect any visitors today?

Bolette. Yes, we’re expecting Mr. Arnholm this morning. He got to town in the night.

Ballested. Arnholm? Wait a minute — wasn’t Arnholm the man who was tutor here several years ago?

Bolette. Yes, it is he.

Ballested. Oh, really! Is he coming into these parts again?

Bolette. That’s why we want to have the flag up.

Ballested. Well, that’s reasonable enough.

(Bolette goes into the room again. A little after Lyngstrand enters from the road and stands still, interested by the easel and painting gear. He is a slender youth, poorly but carefully dressed, and looks delicate.)

Lyngstrand (on the other side of the hedge). Good-morning.

Ballested (turning round). Hallo! Good-morning. (Hoists up flag). That’s it! Up goes the balloon. (Fastens the ropes, and then busies himself about the easel.) Good-morning, my dear sir. I really don’t think I’ve the pleasure of —

Lyngstrand. I’m sure you’re a painter.

Ballested. Of course I am. Why shouldn’t I be?

Lyngstrand. Yes, I can see you are. May I take the liberty of coming in a moment?

Ballested. Would you like to come in and see?

Lyngstrand. I should like to immensely.

Ballested. Oh! there’s nothing much to see yet. But come in. Come a little closer.

Lyngstrand. Many thanks. (Comes in through the garden gate.)

Ballested (painting). It’s the fjord there between the islands I’m working at.

Lyngstrand. So I see.

Ballested. But the figure is still wanting. There’s not a model to be got in this town.

Lyngstrand. Is there to be a figure, too?

Ballested. Yes. Here by the rocks in the foreground a mermaid is to lie, half-dead.

Lyngstrand. Why is she to be half-dead?

Ballested. She has wandered hither from the sea, and can’t find her way out again. And so, you see, she lies there dying in the brackish water.

Lyngstrand. Ah, I see.

Ballested. The mistress of this house put it into my head to do something of the kind.

Lyngstrand. What shall you call the picture when it’s finished?

Ballested. I think of calling it “The Mermaid’s End.”

Lyngstrand. That’s capital! You’re sure to make something fine of it.

Ballested (looking at him). In the profession too, perhaps?

Lyngstrand. Do you mean a painter?

Ballested. Yes.

Lyngstrand. No, I’m not that; but I’m going to be a sculptor. My name is Hans Lyngstrand.

Ballested. So you’re to be a sculptor? Yes, yes; the art of sculpture is a nice, pretty art in its way. I fancy I’ve seen you in the street once or twice. Have you been staying here long?

Lyngstrand. No; I’ve only been here a fortnight. But I shall try to stop till the end of the summer.

Ballested. For the bathing?

Lyngstrand. Yes; I wanted to see if I could get a little stronger.

Ballested. Not delicate, surely?

Lyngstrand. Yes, perhaps I am a little delicate; but it’s nothing dangerous. Just a little tightness on the chest.

Ballested. Tush! — a bagatelle! You should consult a good doctor.

Lyngstrand. Yes, I thought of speaking to Doctor Wangel one of these times.

Ballested. You should. (Looks out to the left.) There’s another steamer, crowded with passengers. It’s really marvellous how travelling has increased here of late years.

Lyngstrand. Yes, there’s a good deal of traffic here, I think.

Ballested. And lots of summer visitors come here too. I often hear our good town will lose its individuality with all these foreign goings on.

Lyngstrand. Were you born in the town?

Ballested. No; but I have accla — acclimatised myself. I feel united to the place by the bonds of time and habit.