Beowulf, John Lesslie Hall
Beowulf
John Lesslie Hall
Category: Verse
Genres: Epic poem,Poetry,Fantasy
Level 9.883:06 h84.6 mb
In the ancient lands of Scandinavia, a fearless warrior named Beowulf emerges as a beacon of hope. He faces the monstrous terror known as Grendel, clashing with unmatched skill and unwavering strength. Yet, victory comes at a cost as a vengeful adversary, Grendel's mother, emerges. In a treacherous underworld, Beowulf confronts his own demons and finds redemption. But a chilling prophecy looms, leading to a cataclysmic battle against a malevolent dragon. Beowulf's legacy shines as a testament to bravery, sacrifice, and the indomitable human spirit.

Beowulf

An Anglo-Saxon Epic Poem

by
John Lesslie Hall, Ph. D.

Beowulf

To
My Wife

Preface

The present work is a modest effort to reproduce approximately, in modern measures, the venerable epic, Beowulf. Approximately, I repeat; for a very close reproduction of Anglo-Saxon verse would, to a large extent, be prose to a modern ear.

The Heyne-Socin text and glossary have been closely followed. Occasionally a deviation has been made, but always for what seemed good and sufficient reason. The translator does not aim to be an editor. Once in a while, however, he has added a conjecture of his own to the emendations quoted from the criticisms of other students of the poem.

This work is addressed to two classes of readers. From both of these alike the translator begs sympathy and co-operation. The Anglo-Saxon scholar he hopes to please by adhering faithfully to the original. The student of English literature he aims to interest by giving him, in modern garb, the most ancient epic of our race. This is a bold and venturesome undertaking; and yet there must be some students of the Teutonic past willing to follow even a daring guide, if they may read in modern phrases of the sorrows of Hrothgar, of the prowess of Beowulf, and of the feelings that stirred the hearts of our forefathers in their primeval homes.

In order to please the larger class of readers, a regular cadence has been used, a measure which, while retaining the essential characteristics of the original, permits the reader to see ahead of him in reading.

Perhaps every Anglo-Saxon scholar has his own theory as to how Beowulf should be translated. Some have given us prose versions of what we believe to be a great poem. Is it any reflection on our honored Kemble and Arnold to say that their translations fail to show a layman that Beowulf is justly called our first epic? Of those translators who have used verse, several have written from what would seem a mistaken point of view. Is it proper, for instance, that the grave and solemn speeches of Beowulf and Hrothgar be put in ballad measures, tripping lightly and airily along? Or, again, is it fitting that the rough martial music of Anglo-Saxon verse be interpreted to us in the smooth measures of modern blank verse? Do we hear what has been beautifully called “the clanging tread of a warrior in mail?”

Of all English translations of Beowulf, that of Professor Garnett alone gives any adequate idea of the chief characteristics of this great Teutonic epic.

The measure used in the present translation is believed to be as near a reproduction of the original as modern English affords. The cadences closely resemble those used by Browning in some of his most striking poems. The four stresses of the Anglo-Saxon verse are retained, and as much thesis and anacrusis is allowed as is consistent with a regular cadence. Alliteration has been used to a large extent; but it was thought that modern ears would hardly tolerate it on every line. End-rhyme has been used occasionally; internal rhyme, sporadically. Both have some warrant in Anglo-Saxon poetry. (For end-rhyme, see 1 53, 1 54; for internal rhyme, 2 21, 6 40.)

What Gummere calls the “rime-giver” has been studiously kept; viz., the first accented syllable in the second half-verse always carries the alliteration; and the last accented syllable alliterates only sporadically. Alternate alliteration is occasionally used as in the original. (See 7 61, 8 5.)

No two accented syllables have been brought together, except occasionally after a cæsural pause. (See 2 19 and 12 1.) Or, scientifically speaking, Sievers’s C type has been avoided as not consonant with the plan of translation. Several of his types, however, constantly occur; e.g. A and a variant (/ x | / x) (/ x x | / x); B and a variant (x / | x /) (x x / | x /); a variant of D (/ x | / x x); E (/ x x | /). Anacrusis gives further variety to the types used in the translation.

The parallelisms of the original have been faithfully preserved. (E.g., 1 16 and 1 17: “Lord” and “Wielder of Glory;” 1 30, 1 31, 1 32; 2 12 and 2 13; 2 27 and 2 28; 3 5 and 3 6.) Occasionally, some loss has been sustained; but, on the other hand, a gain has here and there been made.

The effort has been made to give a decided flavor of archaism to the translation. All words not in keeping with the spirit of the poem have been avoided. Again, though many archaic words have been used, there are none, it is believed, which are not found in standard modern poetry.

With these preliminary remarks, it will not be amiss to give an outline of the story of the poem.

The Story

Hrothgar, king of the Danes, or Scyldings, builds a great mead-hall, or palace, in which he hopes to feast his liegemen and to give them presents. The joy of king and retainers is, however, of short duration. Grendel, the monster, is seized with hateful jealousy. He cannot brook the sounds of joyance that reach him down in his fen-dwelling near the hall. Oft and anon he goes to the joyous building, bent on direful mischief. Thane after thane is ruthlessly carried off and devoured, while no one is found strong enough and bold enough to cope with the monster. For twelve years he persecutes Hrothgar and his vassals.

Over sea, a day’s voyage off, Beowulf, of the Geats, nephew of Higelac, king of the Geats, hears of Grendel’s doings and of Hrothgar’s misery. He resolves to crush the fell monster and relieve the aged king. With fourteen chosen companions, he sets sail for Dane-land. Reaching that country, he soon persuades Hrothgar of his ability to help him. The hours that elapse before night are spent in beer-drinking and conversation. When Hrothgar’s bedtime comes he leaves the hall in charge of Beowulf, telling him that never before has he given to another the absolute wardship of his palace. All retire to rest, Beowulf, as it were, sleeping upon his arms.

Grendel comes, the great march-stepper, bearing God’s anger. He seizes and kills one of the sleeping warriors. Then he advances towards Beowulf. A fierce and desperate hand-to-hand struggle ensues. No arms are used, both combatants trusting to strength and hand-grip. Beowulf tears Grendel’s shoulder from its socket, and the monster retreats to his den, howling and yelling with agony and fury. The wound is fatal.

The next morning, at early dawn, warriors in numbers flock to the hall Heorot, to hear the news. Joy is boundless. Glee runs high. Hrothgar and his retainers are lavish of gratitude and of gifts.

Grendel’s mother, however, comes the next night to avenge his death. She is furious and raging. While Beowulf is sleeping in a room somewhat apart from the quarters of the other warriors, she seizes one of Hrothgar’s favorite counsellors, and carries him off and devours him. Beowulf is called. Determined to leave Heorot entirely purified, he arms himself, and goes down to look for the female monster. After traveling through the waters many hours, he meets her near the sea-bottom. She drags him to her den. There he sees Grendel lying dead. After a desperate and almost fatal struggle with the woman, he slays her, and swims upward in triumph, taking with him Grendel’s head.

Joy is renewed at Heorot. Congratulations crowd upon the victor. Hrothgar literally pours treasures into the lap of Beowulf; and it is agreed among the vassals of the king that Beowulf will be their next liegelord. Beowulf leaves Dane-land. Hrothgar weeps and laments at his departure.

When the hero arrives in his own land, Higelac treats him as a distinguished guest. He is the hero of the hour. Beowulf subsequently becomes king of his own people, the Geats.

After he has been ruling for fifty years, his own neighborhood is wofully harried by a fire-spewing dragon. Beowulf determines to kill him. In the ensuing struggle both Beowulf and the dragon are slain. The grief of the Geats is inexpressible. They determine, however, to leave nothing undone to honor the memory of their lord. A great funeral-pyre is built, and his body is burnt. Then a memorial-barrow is made, visible from a great distance, that sailors afar may be constantly reminded of the prowess of the national hero of Geatland.

The poem closes with a glowing tribute to his bravery, his gentleness, his goodness of heart, and his generosity.

It is the devout desire of this translator to hasten the day when the story of Beowulf shall be as familiar to English-speaking peoples as that of the Iliad. Beowulf is our first great epic. It is an epitomized history of the life of the Teutonic races. It brings vividly before us our forefathers of pre-Alfredian eras, in their love of war, of sea, and of adventure.

My special thanks are due to Professors Francis A. March and James A. Harrison, for advice, sympathy, and assistance.

J.L. Hall.

Abbreviations Used in the Notes

B. = Bugge. C. = Cosijn. Gr. = Grein. Grdvtg. = Grundtvig. H. = Heyne. H. and S. = Harrison and Sharp. H.-So. = Heyne-Socin. K.= Kemble. Kl. = Kluge. M.= Müllenhoff. R. = Rieger. S. = Sievers. Sw. = Sweet. t.B. = ten Brink. Th. = Thorpe. W. = Wülcker.

I.
The Life and Death of Scyld

Lo! the Spear-Danes’ glory through splendid achievements
The folk-kings’ former fame we have heard of,
How princes displayed then their prowess-in-battle.
Oft Scyld the Scefing from scathers in numbers
From many a people their mead-benches tore.

Since first he found him friendless and wretched,
The earl had had terror: comfort he got for it,
Waxed ’neath the welkin, world-honor gained,
Till all his neighbors o’er sea were compelled to
Bow to his bidding and bring him their tribute:
An excellent atheling!

After was borne him
A son and heir, young in his dwelling,
Whom God-Father sent to solace the people.
He had marked the misery malice had caused them,
That reaved of their rulers they wretched had erstwhile
Long been afflicted. The Lord, in requital,
Wielder of Glory, with world-honor blessed him.

Famed was Beowulf, far spread the glory
Of Scyld’s great son in the lands of the Danemen.
So the carle that is young, by kindnesses rendered
The friends of his father, with fees in abundance
Must be able to earn that when age approacheth
Eager companions aid him requitingly,
When war assaults him serve him as liegemen:
By praise-worthy actions must honor be got
’Mong all of the races.

At the hour that was fated
Scyld then departed to the All-Father’s keeping
Warlike to wend him; away then they bare him
To the flood of the current, his fond-loving comrades,
As himself he had bidden, while the friend of the Scyldings
Word-sway wielded, and the well-lovèd land-prince
Long did rule them.

The ring-stemmèd vessel,
Bark of the atheling, lay there at anchor,
Icy in glimmer and eager for sailing;
The belovèd leader laid they down there,
Giver of rings, on the breast of the vessel,
The famed by the mainmast.

A many of jewels,
Of fretted embossings, from far-lands brought over,
Was placed near at hand then; and heard I not ever
That a folk ever furnished a float more superbly
With weapons of warfare, weeds for the battle,
Bills and burnies; on his bosom sparkled
Many a jewel that with him must travel
On the flush of the flood afar on the current.
And favors no fewer they furnished him soothly,
Excellent folk-gems, than others had given him
Who when first he was born outward did send him
Lone on the main, the merest of infants:
And a gold-fashioned standard they stretched under heaven
High o’er his head, let the holm-currents bear him,
Seaward consigned him: sad was their spirit,
Their mood very mournful. Men are not able
Soothly to tell us, they in halls who reside,
Heroes under heaven, to what haven he hied.

II.
Scyld’s Successors. — Hrothgar’s Great Mead-Hall.

In the boroughs then Beowulf, bairn of the Scyldings,
Belovèd land-prince, for long-lasting season
Was famed mid the folk (his father departed,
The prince from his dwelling), till afterward sprang
Great-minded Healfdene; the Danes in his lifetime
He graciously governed, grim-mooded, agèd.

Four bairns of his body born in succession
Woke in the world, war-troopers’ leader
Heorogar, Hrothgar, and Halga the good;
Heard I that Elan was Ongentheow’s consort,
The well-beloved bedmate of the War-Scylfing leader.

Then glory in battle to Hrothgar was given,
Waxing of war-fame, that willingly kinsmen
Obeyed his bidding, till the boys grew to manhood,
A numerous band. It burned in his spirit
To urge his folk to found a great building,
A mead-hall grander than men of the era
Ever had heard of, and in it to share
With young and old all of the blessings
The Lord had allowed him, save life and retainers.

Then the work I find afar was assigned
To many races in middle-earth’s regions,
To adorn the great folk-hall. In due time it happened
Early ’mong men, that ’twas finished entirely,
The greatest of hall-buildings; Heorot he named it
Who wide-reaching word-sway wielded ’mong earlmen.
His promise he brake not, rings he lavished,
Treasure at banquet. Towered the hall up
High and horn-crested, huge between antlers:
It battle-waves bided, the blasting fire-demon;
Ere long then from hottest hatred must sword-wrath
Arise for a woman’s husband and father.

Then the mighty war-spirit endured for a season,
Bore it bitterly, he who bided in darkness,
That light-hearted laughter loud in the building
Greeted him daily; there was dulcet harp-music,
Clear song of the singer.

He said that was able
To tell from of old earthmen’s beginnings,
That Father Almighty earth had created,
The winsome wold that the water encircleth,
Set exultingly the sun’s and the moon’s beams
To lavish their lustre on land-folk and races,
And earth He embellished in all her regions
With limbs and leaves; life He bestowed too
On all the kindreds that live under heaven.

So blessed with abundance, brimming with joyance,
The warriors abided, till a certain one gan to
Dog them with deeds of direfullest malice,
A foe in the hall-building: this horrible stranger
Was Grendel entitled, the march-stepper famous
Who dwelt in the moor-fens, the marsh and the fastness;
The wan-mooded being abode for a season
In the land of the giants, when the Lord and Creator
Had banned him and branded. For that bitter murder,
The killing of Abel, all-ruling Father
The kindred of Cain crushed with His vengeance;
In the feud He rejoiced not, but far away drove him
From kindred and kind, that crime to atone for,
Meter of Justice. Thence ill-favored creatures,
Elves and giants, monsters of ocean,
Came into being, and the giants that longtime
Grappled with God; He gave them requital.

III.
Grendel the Murderer

When the sun was sunken, he set out to visit
The lofty hall-building, how the Ring-Danes had used it
For beds and benches when the banquet was over.
Then he found there reposing many a noble
Asleep after supper; sorrow the heroes,
Misery knew not.

The monster of evil
Greedy and cruel tarried but little,
Fell and frantic, and forced from their slumbers
Thirty of thanemen; thence he departed
Leaping and laughing, his lair to return to,
With surfeit of slaughter sallying homeward.

In the dusk of the dawning, as the day was just breaking,
Was Grendel’s prowess revealed to the warriors:
Then, his meal-taking finished, a moan was uplifted,
Morning-cry mighty. The man-ruler famous,
The long-worthy atheling, sat very woful,
Suffered great sorrow, sighed for his liegemen,
When they had seen the track of the hateful pursuer,
The spirit accursèd: too crushing that sorrow,
Too loathsome and lasting.