'The Art of War' is an ancient Chinese military treatise attributed to Sun Tzu, believed to have been written in the 5th century BC. The exact date of publication is unclear, but it has been influential for centuries.
[{"id":"para_1","index":0,"start":0,"offset":306,"words":4,"paraNum":"","lastModified":1789681925000,"semanticType":"title-book-title","voicework":"audio_file","blockId":"art_of_war_en-bl2s","language":"en","wordsRange":{"start":100000000,"end":105000000},"paragraphVersion":84,"direction":"ltr","paragraph":"<h1 class=\"ilm-title\" id=\"para_1\" semantictype=\"title-book-title\" data-ilmid=\"art_of_war_en-bl2s\" data-audio=\"1\" data-chapter=\"para_1\" data-words-count=\"4\" data-before=\"0\" data-ww=\"\"><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">The Art of War</span></h1>","hasContent":true,"isFirst":true,"isLast":false},{"id":"para_2","index":1,"start":306,"offset":335,"words":2,"paraNum":"","lastModified":1789685256000,"semanticType":"title-author","voicework":"audio_file","blockId":"art_of_war_en-blka","language":"en","wordsRange":{"start":138333333,"end":171666667},"paragraphVersion":29,"direction":"ltr","paragraph":"<h1 class=\"ilm-title ilm-author ilm-x-large ilm-nopad\" id=\"para_2\" semantictype=\"title-author\" data-ilmid=\"art_of_war_en-blka\" data-audio=\"1\" data-chapter=\"para_2\" data-words-count=\"2\" data-before=\"4\" data-ww=\"\"><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">by<br>Sun Tzŭ</span></h1>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_3","index":2,"start":641,"offset":345,"words":4,"paraNum":"","lastModified":1789671169000,"semanticType":"title-translator","voicework":"audio_file","blockId":"art_of_war_en-bl2t","language":"en","wordsRange":{"start":205000000,"end":210000000},"paragraphVersion":73,"direction":"ltr","paragraph":"<h1 class=\"ilm-title ilm-translator ilm-x-small\" id=\"para_3\" semantictype=\"title-translator\" data-ilmid=\"art_of_war_en-bl2t\" data-audio=\"1\" data-chapter=\"para_3\" data-words-count=\"4\" data-before=\"6\" data-ww=\"\"><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">Translated by Lionel Giles</span></h1>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_4","index":3,"start":986,"offset":142,"words":0,"paraNum":"","lastModified":1789551785000,"semanticType":"line","blockId":"art_of_war_en-bljo","language":"en","wordsRange":{"start":243333333,"end":276666667},"paragraphVersion":42,"direction":"ltr","paragraph":"<hr class=\"ilm-hr ilm-small\" id=\"para_4\" semantictype=\"line\" data-ilmid=\"art_of_war_en-bljo\" data-words-count=\"0\" data-before=\"10\" data-ww=\"\">","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_5","index":4,"start":1128,"offset":1335,"words":0,"paraNum":"","lastModified":1790169542000,"semanticType":"illustration","blockId":"art_of_war_en-blkb","language":"en","wordsRange":{"start":287777778,"end":298888889},"paragraphVersion":15,"direction":"ltr","paragraph":"<div class=\"ilm-illustration\" id=\"para_5\" semantictype=\"illustration\" data-ilmid=\"art_of_war_en-blkb\" data-words-count=\"0\" data-before=\"10\" data-ww=\"\"><img width=\"600\" height=\"338\" data-src=\"ch0p0\" src=\"data:image/webp;base64,UklGRiADAABXRUJQVlA4IBQDAACQDgCdASo8ACIAPm0wkkakIyGhKrgMAIANiWUAv2vFjRJmq+yeCfji9iSGbg/qeiw5XDm5x8q97ukPuuXwdHOAIQzK2zQHorrMUTRLd11iz/8is+cLNZ9Y2fJWoG1zw80eT69rZ67u4AYLU2np+LsaqM7392FWpE7754q6AAD+/KTjJndkamOn+I4fU7u8j3n5WkeL/IkR+fAQuaYkhfy/NhMCpbxMx6pEU0wt9QSOD28CDPP2tcmXPyzVEK8XK50HbB6P3+2FTe1XdqLa5tD9x02a8Gom2kYor9cghh8w6Z+tlmhqucM3HLsgu4DnjeM2b3toj2wxITtZgffEik4Su7mAi26gbVPXpu9lw15OtTkjplGqcBpokGIbV8YrDQbKDJsoMFpSgJJVvKxSe12vr6gV/3EazuEyEYl66mj3Um4Q+mkiJf5Hc8XvtkfcA1wRDqoO9bWPWO0IOsiYf992GMh4HstoP/+QCm5XR4zUeaLMPYTGVnzuEIU/jLDu5/1JsaMl72rLfUHxhUFRAO2LYcPP7PrmNG5roN38uBBTyBHuT78VD8YzQ/BuWfQKdgC9djmACqSZD2qFVJ2yKxvmde2xfBGI3q7f3VUOdaOstZOnMyXjIgmMgDCWtvSSEuWe6cOY7CrtO7uYAaskfh+841fdX/JdHg0TA1+TSYbXtutGKpIG/x2ng0LiDIqWaJBDyx0mN02kYufwkxjMJbtCObN4f3QpLUmQIL+EXbo7PHvsluELUff3bvhlgmE+oMKeQDsdBlcj7ND5c4GIoGZAMLUantsXk3Dv8Gp0A2iFkLGisc8zEeWst6bJdBYkE11S5UTICwG4spBGMZd5nqEdQm2EZQL/hirowPcEKMyDElGxHrq2EWcKZLnGg7bhVu4+tEjifpLvWgoBfff+5pPXF6HayXkAx6RCGd/qzIDp79wpAa+oy4z4Dpmr1UaAjPIiKtkt6x2ryiWcx0dCvwy9pxLrHqr/v2xmYGPaIgDq5MuQj6+L3pA9k/eek/zLtAAuKQMxm0DQUZUJZD4A4Aul4ttAAA==\" alt=\"The Art of War\"></div>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_6","index":5,"start":2463,"offset":1061,"words":3,"paraNum":"","lastModified":1789674337000,"semanticType":"header-chapter-header","voicework":"audio_file","blockId":"art_of_war_en-bl7y","language":"en","wordsRange":{"start":31801000000,"end":31806000000},"paragraphVersion":113,"direction":"ltr","paragraph":"<h2 class=\"ilm-header ilm-h2 ilm-large\" id=\"para_6\" semantictype=\"header-chapter-header\" data-ilmid=\"art_of_war_en-bl7y\" data-audio=\"1\" data-chapter=\"para_6\" data-words-count=\"3\" data-before=\"10\" data-ww=\"\"><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\"><span class=\"chapter-text\"><span class=\"chapter-number\"><span class=\"chapter-label\"></span><span class=\"chapter-value\"></span></span><span class=\"chapter-title\">I. Laying <span class=\"intricate-word\"><span class=\"-nowrap-content\">Plans.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n0\"></a> </span></span></span></span></span></h2><aside id=\"n0\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>This is the only possible meaning of #, which M. Amiot and Capt. Calthrop wrongly translate \"Fondements de l’art militaire\" and \"First principles\" respectively. Ts‘ao Kung says it refers to the deliberations in the temple selected by the general for his temporary use, or as we should say, in his tent. See § 26.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_7","index":6,"start":3524,"offset":353,"words":16,"paraNum":"1.1","lastModified":1789350915000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl7z","language":"en","wordsRange":{"start":31906000000,"end":31922000000},"paragraphVersion":108,"direction":"ltr","paragraph":"<p id=\"para_7\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl7z\" data-audio=\"1\" data-words-count=\"16\" data-before=\"13\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.1\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">1. Sun Tzŭ said: The art of war is of vital importance to the State.</span></p>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_8","index":7,"start":3877,"offset":427,"words":32,"paraNum":"1.2","lastModified":1789349958000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl80","language":"en","wordsRange":{"start":32022000000,"end":32054000000},"paragraphVersion":104,"direction":"ltr","paragraph":"<p id=\"para_8\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl80\" data-audio=\"1\" data-words-count=\"32\" data-before=\"29\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.2\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">2. It is a matter of life and death, a road either to safety or to ruin. Hence it is a subject of inquiry which can on no account be neglected.</span></p>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_9","index":8,"start":4304,"offset":1589,"words":31,"paraNum":"1.3","lastModified":1789351220000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl81","language":"en","wordsRange":{"start":32154000000,"end":32186000000},"paragraphVersion":115,"direction":"ltr","paragraph":"<p id=\"para_9\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl81\" data-audio=\"1\" data-words-count=\"31\" data-before=\"61\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.3\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">3. The art of war, then, is governed by five constant factors, to be taken into account in one’s deliberations, when seeking to determine the conditions obtaining in the <span class=\"intricate-word\"><span class=\"-nowrap-content\">field.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n1\"></a> </span></span></span></p><aside id=\"n1\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>The old text of the T‘ung Tien has #, etc. Later editors have inserted # after #, and # before #. The former correction is perhaps superfluous, but the latter seems necessary in order to make sense, and is supported by the accepted reading in § 12, where the same words recur. I am inclined to think, however, that the whole sentence from # to # is an interpolation and has no business here at all. If it be retained, Wang Hsi must be right in saying that # denotes the \"seven considerations\" in § 13. # are the circumstances or conditions likely to bring about victory or defeat. The antecedent of the first # is #; of the second, #. # p. 3 contains the idea of \"comparison with the enemy,\" which cannot well be brought out here, but will appear in § 12. Altogether, difficult though it is, the passage is not so hopelessly corrupt as to justify Capt. Calthrop in burking it entirely.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_10","index":9,"start":5893,"offset":861,"words":19,"paraNum":"1.4","lastModified":1789351243000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl82","language":"en","wordsRange":{"start":32286000000,"end":32306000000},"paragraphVersion":115,"direction":"ltr","paragraph":"<p id=\"para_10\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl82\" data-audio=\"1\" data-words-count=\"19\" data-before=\"92\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.4\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">4. These are: (1) The Moral Law; (2) Heaven; (3) Earth; (4) The Commander; (5) Method and <span class=\"intricate-word\"><span class=\"-nowrap-content\">discipline.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n2\"></a> </span></span></span></p><aside id=\"n2\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>It appears from what follows that Sun Tzŭ means by # a principle of harmony. not unlike the Tao of Lao Tzŭ in its moral aspect. One might be tempted to render it by \"morale,\" were it not considered as an attribute of the ruler in § 13.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_11","index":10,"start":6754,"offset":969,"words":30,"paraNum":"1.5","lastModified":1789349666000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl83","language":"en","wordsRange":{"start":32406000000,"end":32438000000},"paragraphVersion":111,"direction":"ltr","paragraph":"<p id=\"para_11\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl83\" data-audio=\"1\" data-words-count=\"30\" data-before=\"111\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.5\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">5, 6. <i>The </i><i>Moral </i><i>Law</i> causes the people to be in complete accord with their ruler, so that they will follow him regardless of their lives, undismayed by any <span class=\"intricate-word\"><span class=\"-nowrap-content\">danger.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n3\"></a> </span></span></span></p><aside id=\"n3\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>The original text omits #, inserts an # after each #, and omits # after #. Capt. Calthrop translates: \"If the ruling authority be upright, the people are united\"—a very pretty sentiment, but wholly out of place in what purports to be a translation of Sun Tzŭ.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_12","index":11,"start":7723,"offset":955,"words":13,"paraNum":"1.6","lastModified":1789349970000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl84","language":"en","wordsRange":{"start":32538000000,"end":32552000000},"paragraphVersion":111,"direction":"ltr","paragraph":"<p id=\"para_12\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl84\" data-audio=\"1\" data-words-count=\"13\" data-before=\"141\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.6\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">7. <i>Heaven</i> signifies night and day, cold and heat, times and <span class=\"intricate-word\"><span class=\"-nowrap-content\">seasons.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n4\"></a> </span></span></span></p><aside id=\"n4\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>The commentators, I think, make an unnecessary mystery of #. Thus Mêng Shih defines the words as # \"the hard and the soft, waxing and waning,\" which does not help us much. Wang Hsi, however, may be right in saying that what is meant is # \"the general economy of Heaven,\" including the five elements, the four seasons, wind and clouds, and other phenomena.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_13","index":12,"start":8678,"offset":829,"words":22,"paraNum":"1.7","lastModified":1789349680000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl85","language":"en","wordsRange":{"start":32652000000,"end":32675000000},"paragraphVersion":111,"direction":"ltr","paragraph":"<p id=\"para_13\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl85\" data-audio=\"1\" data-words-count=\"22\" data-before=\"154\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.7\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">8. <i>Earth</i> comprises distances, great and small; danger and security; open ground and narrow passes; the chances of life and <span class=\"intricate-word\"><span class=\"-nowrap-content\">death.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n5\"></a> </span></span></span></p><aside id=\"n5\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>#. (omitted by Capt. Calthrop) may have been included here because the safety of an army depends largely on its quickness to turn these geographical features to account.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_14","index":13,"start":9507,"offset":953,"words":15,"paraNum":"1.8","lastModified":1789349971000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl86","language":"en","wordsRange":{"start":32775000000,"end":32791000000},"paragraphVersion":111,"direction":"ltr","paragraph":"<p id=\"para_14\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl86\" data-audio=\"1\" data-words-count=\"15\" data-before=\"176\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.8\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">9. <i>The </i><i>Commander</i> stands for the virtues of wisdom, sincerity, benevolence, courage and <span class=\"intricate-word\"><span class=\"-nowrap-content\">strictness.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n6\"></a> </span></span></span></p><aside id=\"n6\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>The five cardinal virtues of the Chinese are (1) # humanity or benevolence; (2) # uprightness of mind; (3) # self-respect, self-control, or \"proper feeling;\" (4) # wisdom; (5) # sincerity or good faith. Here # and # are put before #, and the two military virtues of \"courage\" and \"strictness\" substituted for # and #.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_15","index":14,"start":10460,"offset":1177,"words":43,"paraNum":"1.9","lastModified":1789349695000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl87","language":"en","wordsRange":{"start":32891000000,"end":32935000000},"paragraphVersion":108,"direction":"ltr","paragraph":"<p id=\"para_15\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl87\" data-audio=\"1\" data-words-count=\"43\" data-before=\"191\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.9\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">10. By <i>Method </i><i>and </i><i>discipline</i> are to be understood the marshalling of the army in its proper subdivisions, the gradations of rank among the officers, the maintenance of roads by which supplies may reach the army, and the control of military <span class=\"intricate-word\"><span class=\"-nowrap-content\">expenditure.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n7\"></a> </span></span></span></p><aside id=\"n7\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>The Chinese of this sentence is so concise as to be practically unintelligible without commentary. I have followed the interpretation of Ts‘ao Kung, who joins # and again #. Others take each of the six predicates separately. # has the somewhat uncommon sense of \"cohort\" or division of an army. Capt. Calthrop translates: \"Partition and ordering of troops,\" which only covers #.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_16","index":15,"start":11637,"offset":415,"words":25,"paraNum":"1.10","lastModified":1789349972000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl88","language":"en","wordsRange":{"start":33035000000,"end":33060000000},"paragraphVersion":104,"direction":"ltr","paragraph":"<p id=\"para_16\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl88\" data-audio=\"1\" data-words-count=\"25\" data-before=\"234\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.10\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">11. These five heads should be familiar to every general: he who knows them will be victorious; he who knows them not will fail.</span></p>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_17","index":16,"start":12052,"offset":1193,"words":25,"paraNum":"1.11","lastModified":1789349710000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl89","language":"en","wordsRange":{"start":33160000000,"end":33186000000},"paragraphVersion":111,"direction":"ltr","paragraph":"<p id=\"para_17\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl89\" data-audio=\"1\" data-words-count=\"25\" data-before=\"259\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.11\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">12. Therefore, in your deliberations, when seeking to determine the military conditions, let them be made the basis of a comparison, in this <span class=\"intricate-word\"><span class=\"-nowrap-content\">wise:—<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n8\"></a> </span></span></span></p><aside id=\"n8\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>The Yü Lan has an interpolated # before #. It is obvious, however, that the # just enumerated cannot be described as #. Capt. Calthrop, forced to give some rendering of the words which he had omitted in § 3, shows himself decidedly hazy: \"Further, with regard to these and the following seven matters, the condition of the enemy must be compared with our own.\" He does not appear to see that the seven queries or considerations which follow arise directly out of the Five heads, instead of being supplementary to them.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_18","index":17,"start":13245,"offset":640,"words":14,"paraNum":"1.12","lastModified":1789349969000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8a","language":"en","wordsRange":{"start":33286000000,"end":33301000000},"paragraphVersion":111,"direction":"ltr","paragraph":"<p id=\"para_18\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8a\" data-audio=\"1\" data-words-count=\"14\" data-before=\"284\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.12\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">13. (1) Which of the two sovereigns is imbued with the Moral <span class=\"intricate-word\"><span class=\"-nowrap-content\">law?<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n9\"></a> </span></span></span></p><aside id=\"n9\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>I. e., \"is in harmony with his subjects.\" Cf. § 5.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_19","index":18,"start":13885,"offset":333,"words":9,"paraNum":"1.13","lastModified":1789381649000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8b","language":"en","wordsRange":{"start":33401000000,"end":33411000000},"paragraphVersion":115,"direction":"ltr","paragraph":"<p id=\"para_19\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8b\" data-audio=\"1\" data-words-count=\"9\" data-before=\"298\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.13\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">(2) Which of the two generals has most ability?</span></p>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_20","index":19,"start":14218,"offset":603,"words":11,"paraNum":"1.14","lastModified":1789381681000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8c","language":"en","wordsRange":{"start":33511000000,"end":33524000000},"paragraphVersion":121,"direction":"ltr","paragraph":"<p id=\"para_20\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8c\" data-audio=\"1\" data-words-count=\"11\" data-before=\"307\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.14\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">(3) With whom lie the advantages derived from Heaven and <span class=\"intricate-word\"><span class=\"-nowrap-content\">Earth?<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n10\"></a> </span></span></span></p><aside id=\"n10\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>See §§ 7, 8.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_21","index":20,"start":14821,"offset":1179,"words":9,"paraNum":"1.15","lastModified":1789351686000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8d","language":"en","wordsRange":{"start":33624000000,"end":33635000000},"paragraphVersion":118,"direction":"ltr","paragraph":"<p id=\"para_21\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8d\" data-audio=\"1\" data-words-count=\"9\" data-before=\"318\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.15\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">(4) On which side is discipline most rigorously <span class=\"intricate-word\"><span class=\"-nowrap-content\">enforced?<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n11\"></a> </span></span></span></p><aside id=\"n11\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>Tu Mu alludes to the remarkable story of Ts‘ao Ts‘ao (A. D. 155–220), who was such a strict disciplinarian that once, in accordance with his own severe regulations against injury to standing crops, he condemned himself to death for having allowed his horse to shy into a field of corn! However, in lieu of losing his head, he was persuaded to satisfy his sense of justice by cutting off his hair. Ts‘ao Ts‘ao's own comment on the present passage is characteristically curt: # \"when you lay down a law, see that it is not disobeyed; if it is disobeyed, the offender must be put to death.\"</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_22","index":21,"start":16000,"offset":689,"words":7,"paraNum":"1.16","lastModified":1789351678000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8e","language":"en","wordsRange":{"start":33735000000,"end":33743000000},"paragraphVersion":116,"direction":"ltr","paragraph":"<p id=\"para_22\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8e\" data-audio=\"1\" data-words-count=\"7\" data-before=\"327\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.16\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">(5) Which army is the <span class=\"intricate-word\"><span class=\"-nowrap-content\">stronger?<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n12\"></a> </span></span></span></p><aside id=\"n12\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>Morally as well as physically. As Mei Yao-ch‘ên puts it, #, which might be freely rendered \"esprit de corps and 'big battalions.'\"</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_23","index":22,"start":16689,"offset":808,"words":11,"paraNum":"1.17","lastModified":1789349945000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8f","language":"en","wordsRange":{"start":33843000000,"end":33856000000},"paragraphVersion":108,"direction":"ltr","paragraph":"<p id=\"para_23\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8f\" data-audio=\"1\" data-words-count=\"11\" data-before=\"334\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.17\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">(6) On which side are officers and men more highly <span class=\"intricate-word\"><span class=\"-nowrap-content\">trained?<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n13\"></a> </span></span></span></p><aside id=\"n13\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>Tu Yu quotes # as saying: \"Without constant practice, the officers will be nervous and undecided when mustering for battle; without constant practice, the general will be wavering and irresolute when the crisis is at hand.\"</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_24","index":23,"start":17497,"offset":756,"words":14,"paraNum":"1.18","lastModified":1789351693000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8g","language":"en","wordsRange":{"start":33956000000,"end":33972000000},"paragraphVersion":115,"direction":"ltr","paragraph":"<p id=\"para_24\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8g\" data-audio=\"1\" data-words-count=\"14\" data-before=\"345\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.18\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">(7) In which army is there the greater constancy both in reward and <span class=\"intricate-word\"><span class=\"-nowrap-content\">punishment? <a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n14\"></a> </span></span></span></p><aside id=\"n14\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span># literally \"clear;\" that is, on which side is there the most absolute certainty that merit will be properly rewarded and misdeeds summarily punished?</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_25","index":24,"start":18253,"offset":363,"words":14,"paraNum":"1.19","lastModified":1789349944000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8h","language":"en","wordsRange":{"start":34072000000,"end":34086000000},"paragraphVersion":104,"direction":"ltr","paragraph":"<p id=\"para_25\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8h\" data-audio=\"1\" data-words-count=\"14\" data-before=\"359\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.19\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">14. By means of these seven considerations I can forecast victory or defeat.</span></p>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_26","index":25,"start":18616,"offset":1029,"words":44,"paraNum":"1.20","lastModified":1789351879000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8i","language":"en","wordsRange":{"start":34186000000,"end":34231000000},"paragraphVersion":117,"direction":"ltr","paragraph":"<p id=\"para_26\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8i\" data-audio=\"1\" data-words-count=\"44\" data-before=\"373\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.20\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">15. The general that hearkens to my counsel and acts upon it, will conquer:—let such a one be retained in command! The general that hearkens not to my counsel nor acts upon it, will suffer defeat:—let such a one be <span class=\"intricate-word\"><span class=\"-nowrap-content\">dismissed!<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n15\"></a> </span></span></span></p><aside id=\"n15\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>The form of this paragraph reminds us that Sun Tzŭ's treatise was composed expressly for the benefit of his patron # Ho Lü, king of the Wu State. It is not necessary, however, to understand # before # (as some commentators do), or to take # as \"generals under my command.\"</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_27","index":26,"start":19645,"offset":937,"words":22,"paraNum":"1.21","lastModified":1789352000000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8j","language":"en","wordsRange":{"start":34331000000,"end":34354000000},"paragraphVersion":115,"direction":"ltr","paragraph":"<p id=\"para_27\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8j\" data-audio=\"1\" data-words-count=\"22\" data-before=\"417\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.21\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">16. While heeding the profit of my counsel, avail yourself also of any helpful circumstances over and beyond the ordinary <span class=\"intricate-word\"><span class=\"-nowrap-content\">rules.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n16\"></a> </span></span></span></p><aside id=\"n16\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>Capt. Calthrop blunders amazingly over this sentence: \"Wherefore, with regard to the foregoing, considering that with us lies the advantage, and the generals agreeing, we create a situation which promises victory.\" Mere logic should have kept him from penning such frothy balderdash.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_28","index":27,"start":20582,"offset":1643,"words":12,"paraNum":"1.22","lastModified":1789351891000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8k","language":"en","wordsRange":{"start":34454000000,"end":34467000000},"paragraphVersion":119,"direction":"ltr","paragraph":"<p id=\"para_28\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8k\" data-audio=\"1\" data-words-count=\"12\" data-before=\"439\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.22\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">17. According as circumstances are favourable, one should modify one’s <span class=\"intricate-word\"><span class=\"-nowrap-content\">plans.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n17\"></a> </span></span></span></p><aside id=\"n17\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>Sun Tzŭ, as a practical soldier, will have none of the \"bookish theoric.\" He cautions us here not to pin our faith to abstract principles; \"for,\" as Chang Yü puts it, \"while the main laws of strategy can be stated clearly enough for the benefit of all and sundry, you must be guided by the actions of the enemy in attempting to secure a favourable position in actual warfare.\" On the eve of the battle of Waterloo, Lord Uxbridge, commanding the cavalry, went to the Duke of Wellington in order to learn what his plans and calculations were for the morrow, because, as he explained, he might suddenly find himself Commander-in-chief and would be unable to frame new plans in a critical moment. The Duke listened quietly and then said: \"Who will attack the first to-morrow—I or Bonaparte?\" \"Bonaparte,\" replied Lord Uxbridge. \"Well,\" continued the Duke, \"Bonaparte has not given me any idea of his projects; and as my plans will depend upon his, how can you expect me to tell you what mine are?\" \"Words on Wellington,\" by Sir W. Fraser.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_29","index":28,"start":22225,"offset":849,"words":8,"paraNum":"1.23","lastModified":1789351969000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8l","language":"en","wordsRange":{"start":34567000000,"end":34576000000},"paragraphVersion":115,"direction":"ltr","paragraph":"<p id=\"para_29\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8l\" data-audio=\"1\" data-words-count=\"8\" data-before=\"451\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.23\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">18. All warfare is based on <span class=\"intricate-word\"><span class=\"-nowrap-content\">deception.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n18\"></a> </span></span></span></p><aside id=\"n18\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>The truth of this pithy and profound saying will be admitted by every soldier. Col. Henderson tells us that Wellington, great in so many military qualities, was especially distinguished by \"the extraordinary skill with which he concealed his movements and deceived both friend and foe.\"</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_30","index":29,"start":23074,"offset":504,"words":44,"paraNum":"1.24","lastModified":1789349989000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8m","language":"en","wordsRange":{"start":34676000000,"end":34720000000},"paragraphVersion":104,"direction":"ltr","paragraph":"<p id=\"para_30\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8m\" data-audio=\"1\" data-words-count=\"44\" data-before=\"459\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.24\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">19. Hence, when able to attack, we must seem unable; when using our forces, we must seem inactive; when we are near, we must make the enemy believe we are far away; when far away, we must make him believe we are near.</span></p>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_31","index":30,"start":23578,"offset":886,"words":14,"paraNum":"1.25","lastModified":1789349955000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8n","language":"en","wordsRange":{"start":34820000000,"end":34835000000},"paragraphVersion":111,"direction":"ltr","paragraph":"<p id=\"para_31\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8n\" data-audio=\"1\" data-words-count=\"14\" data-before=\"503\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.25\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">20. Hold out baits to entice the enemy. Feign disorder, and crush <span class=\"intricate-word\"><span class=\"-nowrap-content\">him.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n19\"></a> </span></span></span></p><aside id=\"n19\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>#, as often in Sun Tzŭ, is used in the sense of #. It is rather remarkable that all the commentators, with the exception of Chang Yü, refer # to the enemy: \"when he is in disorder, crush him.\" It is more natural to suppose that Sun Tzŭ is still illustrating the uses of deception in war.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_32","index":31,"start":24464,"offset":1048,"words":21,"paraNum":"1.26","lastModified":1789381798000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8o","language":"en","wordsRange":{"start":34935000000,"end":34957000000},"paragraphVersion":121,"direction":"ltr","paragraph":"<p id=\"para_32\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8o\" data-audio=\"1\" data-words-count=\"21\" data-before=\"517\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.26\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">21. If he is secure at all points, be prepared for him. If he is in superior strength, evade <span class=\"intricate-word\"><span class=\"-nowrap-content\">him.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n20\"></a> </span></span></span></p><aside id=\"n20\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>The meaning of # is made clear from chap. VI, where it is opposed to # \"weak or vulnerable spots.\" #, according to Tu Yu and other commentators, has reference to the keenness of the men as well as to numerical superiority. Capt. Calthrop evolves an extraordinarily far-fetched translation: \"If there are defects, give an appearance of perfection, and awe the enemy. Pretend to be strong, and so cause the enemy to avoid you\"!</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_33","index":32,"start":25512,"offset":918,"words":22,"paraNum":"1.27","lastModified":1789381850000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8p","language":"en","wordsRange":{"start":35057000000,"end":35080000000},"paragraphVersion":115,"direction":"ltr","paragraph":"<p id=\"para_33\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8p\" data-audio=\"1\" data-words-count=\"22\" data-before=\"538\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.27\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">22. If your opponent is of choleric temper, seek to irritate him. Pretend to be weak, that he may grow <span class=\"intricate-word\"><span class=\"-nowrap-content\">arrogant.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n21\"></a> </span></span></span></p><aside id=\"n21\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>I follow Chang Yü in my interpretation of #. # is expanded by Mei Yao-ch‘ên into #. Wang Tzŭ, quoted by Tu Yu, p. 7 says that the good tactician plays with his adversary as a cat plays with a mouse, first feigning weakness and immobility, and then suddenly pouncing upon him.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_34","index":33,"start":26430,"offset":838,"words":12,"paraNum":"1.28","lastModified":1789352081000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8q","language":"en","wordsRange":{"start":35180000000,"end":35193000000},"paragraphVersion":115,"direction":"ltr","paragraph":"<p id=\"para_34\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8q\" data-audio=\"1\" data-words-count=\"12\" data-before=\"560\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.28\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">23. If he is taking his ease, give him no <span class=\"intricate-word\"><span class=\"-nowrap-content\">rest.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n22\"></a> </span></span></span></p><aside id=\"n22\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>This is probably the meaning, though Mei Yao-ch‘ên has the note: # we are taking our ease, wait for the enemy to tire himself out.\" The Yü Lan has # \"Lure him on and tire him out\". This would seem also to have been Ts‘ao Kung's text, judging by his comment #.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_35","index":34,"start":27268,"offset":709,"words":7,"paraNum":"1.29","lastModified":1789349953000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8r","language":"en","wordsRange":{"start":35293000000,"end":35302000000},"paragraphVersion":105,"direction":"ltr","paragraph":"<p id=\"para_35\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8r\" data-audio=\"1\" data-words-count=\"7\" data-before=\"572\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.29\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">If his forces are united, separate <span class=\"intricate-word\"><span class=\"-nowrap-content\">them. <a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n23\"></a> </span></span></span></p><aside id=\"n23\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>Less plausible is the interpretation favoured by most of the commentators: \"If sovereign and subject are in accord, put division between them.\"</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_36","index":35,"start":27977,"offset":360,"words":14,"paraNum":"1.30","lastModified":1789349716000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8s","language":"en","wordsRange":{"start":35402000000,"end":35416000000},"paragraphVersion":104,"direction":"ltr","paragraph":"<p id=\"para_36\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8s\" data-audio=\"1\" data-words-count=\"14\" data-before=\"579\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.30\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">24. Attack him where he is unprepared, appear where you are not expected.</span></p>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_37","index":36,"start":28337,"offset":1373,"words":13,"paraNum":"1.31","lastModified":1789352118000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8t","language":"en","wordsRange":{"start":35516000000,"end":35530000000},"paragraphVersion":115,"direction":"ltr","paragraph":"<p id=\"para_37\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8t\" data-audio=\"1\" data-words-count=\"13\" data-before=\"593\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.31\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">25. These military devices, leading to victory, must not be divulged <span class=\"intricate-word\"><span class=\"-nowrap-content\">beforehand.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n24\"></a> </span></span></span></p><aside id=\"n24\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>This seems to be the way in which Ts‘ao Kung understood the passage, and is perhaps the best sense to be got out of the text as it stands. Most of the commentators give the following explanation: \"It is impossible to lay down rules for warfare before you come into touch with the enemy.\" This would be very plausible if it did not ignore #, which unmistakably refers to the maxims which Sun Tzŭ has been laying down. It is possible, of course, that # may be a later interpolation, in which case the sentence would practically mean: \"Success in warfare cannot be taught.\" As an alternative, however, I would venture to suggest that a second # may have fallen out after #, so that we get: \"These maxims for succeeding in war are the first that ought to be imparted.\"</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_38","index":37,"start":29710,"offset":1227,"words":68,"paraNum":"1.32","lastModified":1789352164000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8u","language":"en","wordsRange":{"start":35630000000,"end":35699000000},"paragraphVersion":116,"direction":"ltr","paragraph":"<p id=\"para_38\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8u\" data-audio=\"1\" data-words-count=\"68\" data-before=\"606\" data-ww=\"\"><span class=\"block-num\" data-id=\"1.32\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">26. Now the general who wins a battle makes many calculations in his temple ere the battle is <span class=\"intricate-word\"><span class=\"-nowrap-content\">fought.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n25\"></a> </span></span>The general who loses a battle makes but few calculations beforehand. Thus do many calculations lead to victory, and few calculations to defeat: how much more no calculation at all! It is by attention to this point that I can foresee who is likely to win or lose.</span></p><aside id=\"n25\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>Chang Yü tells us that in ancient times it was customary for a temple to be set apart for the use of a general who was about to take the field, in order that he might there elaborate his plan of campaign. Capt. Calthrop misunderstands it as \"the shrine of the ancestors,\" and gives a loose and inaccurate rendering of the whole passage.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_39","index":38,"start":30937,"offset":144,"words":0,"paraNum":"","lastModified":1789551785000,"semanticType":"line","blockId":"art_of_war_en-bljw","language":"en","wordsRange":{"start":35732333333,"end":35765666667},"paragraphVersion":33,"direction":"ltr","paragraph":"<hr class=\"ilm-hr ilm-small\" id=\"para_39\" semantictype=\"line\" data-ilmid=\"art_of_war_en-bljw\" data-words-count=\"0\" data-before=\"674\" data-ww=\"\">","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_40","index":39,"start":31081,"offset":992,"words":3,"paraNum":"","lastModified":1789669499000,"semanticType":"header-chapter-header","voicework":"audio_file","blockId":"art_of_war_en-bl8v","language":"en","wordsRange":{"start":35799000000,"end":35804000000},"paragraphVersion":114,"direction":"ltr","paragraph":"<h2 class=\"ilm-header ilm-h2 ilm-large\" id=\"para_40\" semantictype=\"header-chapter-header\" data-ilmid=\"art_of_war_en-bl8v\" data-audio=\"1\" data-chapter=\"para_40\" data-words-count=\"3\" data-before=\"674\" data-ww=\"\"><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\"><span class=\"chapter-text\"><span class=\"chapter-number\"><span class=\"chapter-label\"></span><span class=\"chapter-value\"></span></span><span class=\"chapter-title\">II. Waging <span class=\"intricate-word\"><span class=\"-nowrap-content\">War.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n26\"></a> </span></span></span></span></span></h2><aside id=\"n26\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>Ts‘ao Kung has the note: # \"He who wishes to fight must first count the cost,\" which prepares us for the discovery that the subject of the chapter is not what we might expect from the title, but is primarily a consideration of ways and means.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_41","index":40,"start":32073,"offset":3324,"words":88,"paraNum":"2.1","lastModified":1789352227000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8w","language":"en","wordsRange":{"start":35904000000,"end":35997000000},"paragraphVersion":123,"direction":"ltr","paragraph":"<p id=\"para_41\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8w\" data-audio=\"1\" data-words-count=\"88\" data-before=\"677\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.1\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">1. Sun Tzŭ said: In the operations of war, where there are in the field a thousand swift chariots, as many heavy chariots, and a hundred thousand mail-clad <span class=\"intricate-word\"><span class=\"-nowrap-content\">soldiers,<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n27\"></a> </span></span>with provisions enough to carry them a thousand <i>li</i>,<span class=\"intricate-word\"><span class=\"-nowrap-content\"><a data-fnid=\"2\" epub:type=\"noteref\" href=\"#n28\"></a> </span></span>the expenditure at home and at the front, including entertainment of guests, small items such as glue and paint, and sums spent on chariots and armour, will reach the total of a thousand ounces of silver per <span class=\"intricate-word\"><span class=\"-nowrap-content\">day.<a data-fnid=\"3\" epub:type=\"noteref\" href=\"#n29\"></a> </span></span>Such is the cost of raising an army of 100,000 <span class=\"intricate-word\"><span class=\"-nowrap-content\">men.<a data-fnid=\"4\" epub:type=\"noteref\" href=\"#n30\"></a> </span></span></span></p><aside id=\"n27\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>The # were lightly built and, according to Chang Yü, used for the attack; the # were heavier, and designed for purposes of defence. Li Ch‘üan, it is true, says that the latter were light, but this seems hardly. probable. Capt. Calthrop translates \"chariots\" and \"supply wagons\" respectively, but is not supported by any commentator. It is interesting to note the analogies between early Chinese warfare and that of the Homeric Greeks. In each case, the war-chariot was the important factor, forming as it did the nucleus round which was grouped a certain number of foot-soldiers. With regard to the numbers given here, we are informed that each swift chariot was accompanied by 75 footmen, and each heavy chariot by 25 footmen, so that the whole army would be divided up into a thousand battalions, each consisting of two chariots and a hundred men.</span></aside><aside id=\"n28\" data-audio=\"0\" data-fnid=\"2\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>2. 78 modern li go to a mile. The length may have varied slightly since Sun Tzŭ's time.</span></aside><aside id=\"n29\" data-audio=\"0\" data-fnid=\"3\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>#, which follows # in the textus receptus, is important as indicating the apodosis. In the text adopted by Capt. Calthrop it is omitted, so that he is led to give this meaningless translation of the opening sentence: \"Now the requirements of War are such that we need 1, 000 chariots,\" etc. The second, which is redundant, is omitted in the Yü Lan. #, like # above, is meant to suggest a large but indefinite number. As the Chinese have never possessed gold coins, it is incorrect to translate it \"1000 pieces of gold.\"</span></aside><aside id=\"n30\" data-audio=\"0\" data-fnid=\"4\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>Capt. Calthrop adds: \"You have the instruments of victory,\" which he seems to get from the first five characters of the next sentence.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_42","index":41,"start":35397,"offset":1213,"words":38,"paraNum":"2.2","lastModified":1789350114000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8x","language":"en","wordsRange":{"start":36097000000,"end":36137000000},"paragraphVersion":119,"direction":"ltr","paragraph":"<p id=\"para_42\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8x\" data-audio=\"1\" data-words-count=\"38\" data-before=\"765\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.2\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">2. When you engage in actual fighting, if victory is long in coming, the men’s weapons will grow dull and their ardour will be <span class=\"intricate-word\"><span class=\"-nowrap-content\">damped.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n31\"></a> </span></span>If you lay siege to a town, you will exhaust your <span class=\"intricate-word\"><span class=\"-nowrap-content\">strength.<a data-fnid=\"2\" epub:type=\"noteref\" href=\"#n32\"></a> </span></span></span></p><aside id=\"n31\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>The Yü Lan omits #; but though # is certainly a bold phrase, it is more likely to be right than not. Both in this place and in § 4, the T‘ung Tien and Yü Lan read # (in the sense of \"to injure\") instead of #.</span></aside><aside id=\"n32\" data-audio=\"0\" data-fnid=\"2\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>As synonyms to # are given #, #, # and #.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_43","index":42,"start":36610,"offset":916,"words":20,"paraNum":"2.3","lastModified":1789350094000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8y","language":"en","wordsRange":{"start":36237000000,"end":36258000000},"paragraphVersion":119,"direction":"ltr","paragraph":"<p id=\"para_43\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8y\" data-audio=\"1\" data-words-count=\"20\" data-before=\"803\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.3\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">3. Again, if the campaign is protracted, the resources of the State will not be equal to the <span class=\"intricate-word\"><span class=\"-nowrap-content\">strain.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n33\"></a> </span></span></span></p><aside id=\"n33\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span># means literally, \"If there is long exposure of the army.\" Of # in this sense K‘ang Hsi cites an instance from the biography of # Tou Jung in the Hou Han Shu, where the commentary defines it by #. Cf. also the following from the #: # \"General, you have long been exposed to all weathers.\"</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_44","index":43,"start":37526,"offset":936,"words":44,"paraNum":"2.4","lastModified":1789381926000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl8z","language":"en","wordsRange":{"start":36358000000,"end":36403000000},"paragraphVersion":127,"direction":"ltr","paragraph":"<p id=\"para_44\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl8z\" data-audio=\"1\" data-words-count=\"44\" data-before=\"823\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.4\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">4. Now, when your weapons are dulled, your ardour damped, your strength exhausted and your treasure spent, other chieftains will spring up to take advantage of your extremity. Then no man, however wise, will be able to avert the consequences that must <span class=\"intricate-word\"><span class=\"-nowrap-content\">ensue.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n34\"></a> </span></span></span></p><aside id=\"n34\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>Following Tu Yu, I understand # in the sense of \"to make good,\" i. e. to mend. But Tu Mu and Ho Shih explain it as \"to make good plans\"—for the future.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_45","index":44,"start":38462,"offset":2646,"words":21,"paraNum":"2.5","lastModified":1789381945000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl90","language":"en","wordsRange":{"start":36503000000,"end":36525000000},"paragraphVersion":118,"direction":"ltr","paragraph":"<p id=\"para_45\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl90\" data-audio=\"1\" data-words-count=\"21\" data-before=\"867\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.5\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">5. Thus, though we have heard of stupid haste in war, cleverness has never been seen associated with long <span class=\"intricate-word\"><span class=\"-nowrap-content\">delays.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n35\"></a> </span></span></span></p><aside id=\"n35\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>This concise and difficult sentence is not well explained by any of the commentators. Ts‘ao Kung, Li Ch‘üan, Mêng Shih, Tu Yu, Tu Mu and Mei Yao-ch‘ên have notes to the effect that a general, though naturally stupid, may nevertheless conquer through sheer force of rapidity. Ho Shih says: \"Haste may be stupid, but at any rate it saves expenditure of energy and treasure; protracted operations may be very clever, but they bring calamity in their train.\" Wang Hsi evades the difficulty by remarking: \"Lengthy operations mean an army growing old, wealth being expended, an empty exchequer and distress among the people; true cleverness insures against the occurrence of such calamities.\" Chang Yü says: \"So long as victory can be attained, stupid haste is preferable to clever dilatoriness.\" Now Sun Tzŭ says nothing whatever, except possibly by implication, about ill-considered haste being better than ingenious but lengthy operations. What he does say is something much more guarded, namely that, while speed may sometimes be injudicious, tardiness can never be anything but foolish—if only because it means impoverishment to the nation. Capt. Calthrop indulges his imagination with the following: \"Therefore it is acknowledged that war cannot be too short in duration. But though conducted with the utmost art, if long continuing, misfortunes do always appear.\" It is hardly worth while to note the total disappearance of # in this precious concoction. In considering the point raised here by Sun Tzŭ, the classic example of Fabius Cunctator will inevitably occur td the mind. That general deliberately measured the endurance of Rome against that of Hannibal's isolated army, because it seemed to him that the latter was more likely to suffer from a long campaign in a strange country. But it is quite a moot question whether his tactics would have proved successful in the long run. Their reversal it is true, led to Cannae; but this only establishes a negative presumption in their favour.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_46","index":45,"start":41108,"offset":669,"words":14,"paraNum":"2.6","lastModified":1789381978000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl91","language":"en","wordsRange":{"start":36625000000,"end":36640000000},"paragraphVersion":123,"direction":"ltr","paragraph":"<p id=\"para_46\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl91\" data-audio=\"1\" data-words-count=\"14\" data-before=\"888\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.6\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">6. There is no instance of a country having benefited from prolonged <span class=\"intricate-word\"><span class=\"-nowrap-content\">warfare.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n36\"></a> </span></span></span></p><aside id=\"n36\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>The Yü Lan has # instead of #—evidently the mistake of a scribe.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_47","index":46,"start":41777,"offset":1041,"words":26,"paraNum":"2.7","lastModified":1789350095000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl92","language":"en","wordsRange":{"start":36740000000,"end":36767000000},"paragraphVersion":119,"direction":"ltr","paragraph":"<p id=\"para_47\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl92\" data-audio=\"1\" data-words-count=\"26\" data-before=\"902\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.7\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">7. It is only one who is thoroughly acquainted with the evils of war that can thoroughly understand the profitable way of carrying it <span class=\"intricate-word\"><span class=\"-nowrap-content\">on.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n37\"></a> </span></span></span></p><aside id=\"n37\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>That is, with rapidity. Only one who knows the disastrous effects of a long war can realise the supreme importance of rapidity in bringing it to a close. Only two commentators seem to favour this interpretation, but it fits well into the logic of the context, whereas the rendering, \"He who does not know the evils of war cannot appreciate its benefits,\" is distinctly pointless.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_48","index":47,"start":42818,"offset":1433,"words":19,"paraNum":"2.8","lastModified":1789352845000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl93","language":"en","wordsRange":{"start":36867000000,"end":36887000000},"paragraphVersion":123,"direction":"ltr","paragraph":"<p id=\"para_48\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl93\" data-audio=\"1\" data-words-count=\"19\" data-before=\"928\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.8\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">8. The skilful soldier does not raise a second levy, neither are his supply-waggons loaded more than <span class=\"intricate-word\"><span class=\"-nowrap-content\">twice.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n38\"></a> </span></span></span></p><aside id=\"n38\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>Once war is declared, he will not waste precious time in waiting for reinforcements, nor will he turn his army back for fresh supplies, but crosses the enemy's frontier without delay. This may seem an audacious policy to recommend, but with all great strategists, from Julius Caesar to Napoleon Buonaparte, the value of time—that is, being a little ahead of your opponent—has counted for more than either numerical superiority or the nicest calculations with regard to commissariat. # is used in the sense of #. The T‘ung Tien and Yü Lan have the inferior reading #. The commentators explain # by saying that the waggons are loaded once before passing the frontier, and that the army is met by a further consignment of supplies on the homeward march. The Yü Lan, however, reads # here as well.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_49","index":48,"start":44251,"offset":753,"words":24,"paraNum":"2.9","lastModified":1789352877000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl94","language":"en","wordsRange":{"start":36987000000,"end":37012000000},"paragraphVersion":123,"direction":"ltr","paragraph":"<p id=\"para_49\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl94\" data-audio=\"1\" data-words-count=\"24\" data-before=\"947\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.9\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">9. Bring war material with you from home, but forage on the enemy. Thus the army will have food enough for its <span class=\"intricate-word\"><span class=\"-nowrap-content\">needs.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n39\"></a> </span></span></span></p><aside id=\"n39\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>#, \"things to be used,\" in the widest sense. It includes all the impedimenta of an army, apart from provisions.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_50","index":49,"start":45004,"offset":2084,"words":32,"paraNum":"2.10","lastModified":1789350124000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl95","language":"en","wordsRange":{"start":37112000000,"end":37145000000},"paragraphVersion":119,"direction":"ltr","paragraph":"<p id=\"para_50\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl95\" data-audio=\"1\" data-words-count=\"32\" data-before=\"971\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.10\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">10. Poverty of the State exchequer causes an army to be maintained by contributions from a distance. Contributing to maintain an army at a distance causes the people to be <span class=\"intricate-word\"><span class=\"-nowrap-content\">impoverished.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n40\"></a> </span></span></span></p><aside id=\"n40\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>The beginning of this sentence does not balance properly with the next, though obviously intended to do so. The arrangement, moreover, is so awkward that I cannot help suspecting some corruption in the text. It never seems to occur to Chinese commentators that an emendation may be necessary for the sense, and we get no help from them here. Sun Tzŭ says that the cause of the people's impoverishment is #; it is clear, therefore, that the words have reference to some system by which the husbandmen sent their contributions of corn to the army direct. But why should it fall on them to maintain an army in this way, except because the State or Government is too poor to do so? Assuming then that # ought to stand first in the sentence in order to balance # (the fact that the two words rhyme is significant), and thus getting rid of #, we are still left with #, which latter word seems to me an obvious mistake for #. \"Poverty in the army\" is an unlikely expression, especially as the general has just been warned not to encumber his army with a large quantity of supplies. If we suppose that # somehow got written here instead of # (a very simple supposition, as we have # in the next sentence), and that later on somebody, scenting a mistake, prefixed the gloss # to #, without however erasing #, the whole muddle may be explained. My emended text then would be #, etc.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_51","index":50,"start":47088,"offset":946,"words":27,"paraNum":"2.11","lastModified":1789350095000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl96","language":"en","wordsRange":{"start":37245000000,"end":37273000000},"paragraphVersion":119,"direction":"ltr","paragraph":"<p id=\"para_51\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl96\" data-audio=\"1\" data-words-count=\"27\" data-before=\"1003\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.11\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">11. On the other hand, the proximity of an army causes prices to go up; and high prices cause the people’s substance to be drained <span class=\"intricate-word\"><span class=\"-nowrap-content\">away.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n41\"></a> </span></span></span></p><aside id=\"n41\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>#, that is, as Wang Hsi says, before the army has left its own territory. Ts‘ao Kung understands it of an army that has already crossed the frontier. Capt. Calthrop drops the #, reading #, but even so it is impossible to justify his translation \"Repeated wars cause high prices.\"</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_52","index":51,"start":48034,"offset":1229,"words":16,"paraNum":"2.12","lastModified":1789350121000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl97","language":"en","wordsRange":{"start":37373000000,"end":37390000000},"paragraphVersion":116,"direction":"ltr","paragraph":"<p id=\"para_52\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl97\" data-audio=\"1\" data-words-count=\"16\" data-before=\"1030\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.12\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">12. When their substance is drained away, the peasantry will be afflicted by heavy <span class=\"intricate-word\"><span class=\"-nowrap-content\">exactions.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n42\"></a> </span></span></span></p><aside id=\"n42\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>Cf. Mencius VII. 2. xiv. 2, where # has the same meaning as #. # was an ancient measure of land. The full table, as given by #, may not be out of place here: 6 # = 1 ; 100 # = 1 #; 100 # = #; 3 # = 1 #; 3 # = #; 4 # = 1 #; 4 # =1 #; 4 # = 1 #. According to the Chou Li, there were nine husbandmen to a #, which would assign to each man the goodly allowance of 100 # (of which 6. 6 now go to an acre). What the values of these measures were in Sun Tzŭ's time is not known with any certainty. The lineal # however, is supposed to have been about 20 cm., # may include levies of men, as well as other exactions.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_53","index":52,"start":49263,"offset":2208,"words":59,"paraNum":"2.13","lastModified":1789353034000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl98","language":"en","wordsRange":{"start":37490000000,"end":37552000000},"paragraphVersion":126,"direction":"ltr","paragraph":"<p id=\"para_53\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl98\" data-audio=\"1\" data-words-count=\"59\" data-before=\"1046\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.13\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">13, 14. With this loss of substance and exhaustion of strength, the homes of the people will be stripped bare, and three-tenths of their incomes will be <span class=\"intricate-word\"><span class=\"-nowrap-content\">dissipated;<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n43\"></a> </span></span>while Government expenses for broken chariots, worn-out horses, breast-plates and helmets, bows and arrows, spears and shields, protective mantlets, draught-oxen and heavy waggons, will amount to four-tenths of its total <span class=\"intricate-word\"><span class=\"-nowrap-content\">revenue.<a data-fnid=\"2\" epub:type=\"noteref\" href=\"#n44\"></a> </span></span></span></p><aside id=\"n43\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>The Yü Lan omits #. I would propose the emended reading #, etc. In view of the fact that we have # in the two preceding paragraphs, it seems probable that # is a scribe's mistake for #, having been added afterwards to make sense. #, literally: \"Within the middle plains there is emptiness in the homes.\" For # cf. Shih Ching II. 3. vi. 3 and II. 5. 11. 3. With regard to #, Tu Mu says: #, and Wang Hsi: # ; that is, the people are mulcted not of 3/10, but of 7/10, of their income. But this is hardly to be extracted from our text. Ho Shih has a characteristic tag: # \"The people being regarded as the essential part of the State, and food as the people's heaven, is it not right that those in authority should value and be careful of both?\"</span></aside><aside id=\"n44\" data-audio=\"0\" data-fnid=\"2\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>The Yü Lan has several various readings here, the more important of which are for the less common # (read p‘i2), # for #, and # for #, which latter, if right, must mean \"oxen from the country districts\" (cf. supra, § 12). For the meaning of #, see note on III, § 4. Capt. Calthrop omits to translate #.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_54","index":53,"start":51471,"offset":1059,"words":43,"paraNum":"2.14","lastModified":1789353030000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl99","language":"en","wordsRange":{"start":37652000000,"end":37696000000},"paragraphVersion":123,"direction":"ltr","paragraph":"<p id=\"para_54\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl99\" data-audio=\"1\" data-words-count=\"43\" data-before=\"1105\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.14\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">15. Hence a wise general makes a point of foraging on the enemy. One cartload of the enemy’s provisions is equivalent to twenty of one’s own, and likewise a single picul of his provender is equivalent to twenty from one’s own <span class=\"intricate-word\"><span class=\"-nowrap-content\">store.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n45\"></a> </span></span></span></p><aside id=\"n45\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>Because twenty cartloads will be consumed in the process of transporting one cartload to the front. According to Ts‘ao Kung, # = 6 # 4, or 64 #, but according to Mêng Shih, 10 # make a #. The # picul consisted of 70 # catties (Tu Mu and others say 120). #, literally, \"beanstalks and straw.\"</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_55","index":54,"start":52530,"offset":1311,"words":30,"paraNum":"2.15","lastModified":1789350110000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl9a","language":"en","wordsRange":{"start":37796000000,"end":37827000000},"paragraphVersion":119,"direction":"ltr","paragraph":"<p id=\"para_55\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl9a\" data-audio=\"1\" data-words-count=\"30\" data-before=\"1148\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.15\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">16. Now in order to kill the enemy, our men must be roused to anger; that there may be advantage from defeating the enemy, they must have their <span class=\"intricate-word\"><span class=\"-nowrap-content\">rewards.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n46\"></a> </span></span></span></p><aside id=\"n46\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>These are two difficult sentences, which I have translated in accordance with Mei Yao-ch‘ên's paraphrase. We may incontinently reject Capt. Calthrop's extraordinary translation of the first: \"Wantonly to kill and destroy the enemy must be forbidden.\" Ts‘ao Kung quotes a jingle current in his day: #. Tu Mu says: \"Rewards are necessary in order to make the soldiers see the advantage of beating the enemy; thus, when you capture spoils from the enemy, they must be used as rewards, so that all your men may have a keen desire to fight, each on his own account. Chang Yü takes # as the direct object of #; which is not so good.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_56","index":55,"start":53841,"offset":1159,"words":52,"paraNum":"2.16","lastModified":1789350127000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl9b","language":"en","wordsRange":{"start":37927000000,"end":37980000000},"paragraphVersion":119,"direction":"ltr","paragraph":"<p id=\"para_56\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl9b\" data-audio=\"1\" data-words-count=\"52\" data-before=\"1178\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.16\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">17. Therefore in chariot fighting, when ten or more chariots have been taken, those should be rewarded who took the <span class=\"intricate-word\"><span class=\"-nowrap-content\">first.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n47\"></a> </span></span>Our own flags should he substituted for those of the enemy, and the chariots mingled and used in conjunction with ours. The captured soldiers should be kindly treated and kept.</span></p><aside id=\"n47\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>Capt. Calthrop's rendering is: \"They who are the first to lay their hands on more than ten of the enemy's chariots, should be encouraged.\" We should have expected the gallant captain to see that such Samson-like prowess deserved something more substantial than mere encouragement. T. omits #, and has # in place of the more archaic #.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_57","index":56,"start":55000,"offset":364,"words":14,"paraNum":"2.17","lastModified":1789353148000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl9c","language":"en","wordsRange":{"start":38080000000,"end":38094000000},"paragraphVersion":116,"direction":"ltr","paragraph":"<p id=\"para_57\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl9c\" data-audio=\"1\" data-words-count=\"14\" data-before=\"1230\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.17\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">18. This is called, using the conquered foe to augment one’s own strength.</span></p>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_58","index":57,"start":55364,"offset":747,"words":14,"paraNum":"2.18","lastModified":1789353211000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl9d","language":"en","wordsRange":{"start":38194000000,"end":38209000000},"paragraphVersion":125,"direction":"ltr","paragraph":"<p id=\"para_58\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl9d\" data-audio=\"1\" data-words-count=\"14\" data-before=\"1244\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.18\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">19. In war, then, let your great object be victory, not lengthy <span class=\"intricate-word\"><span class=\"-nowrap-content\">campaigns.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n48\"></a> </span></span></span></p><aside id=\"n48\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>As Ho Shih remarks: # \"War is not a thing to be trifled with.\" Sun Tzŭ here reiterates the main lesson which this chapter is intended to enforce.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_59","index":58,"start":56111,"offset":741,"words":35,"paraNum":"2.19","lastModified":1789353206000,"semanticType":"par","voicework":"audio_file","blockId":"art_of_war_en-bl9e","language":"en","wordsRange":{"start":38309000000,"end":38345000000},"paragraphVersion":124,"direction":"ltr","paragraph":"<p id=\"para_59\" semantictype=\"par\" data-ilmid=\"art_of_war_en-bl9e\" data-audio=\"1\" data-words-count=\"35\" data-before=\"1258\" data-ww=\"\"><span class=\"block-num\" data-id=\"2.19\"></span><span class=\"block-pb\"> <span class=\"block-pb is-animated\"></span> </span><span class=\"itm-wrap\">20. Thus it may be known that the leader of armies is the arbiter of the people’s fate, the man on whom it depends whether the nation shall be in peace or in <span class=\"intricate-word\"><span class=\"-nowrap-content\">peril.<a data-fnid=\"1\" epub:type=\"noteref\" href=\"#n49\"></a> </span></span></span></p><aside id=\"n49\" data-audio=\"0\" data-fnid=\"1\" class=\"bh-fn\" epub:type=\"footnote\" data-ww=\"\"><span>In the original text, there is a # before the #.</span></aside>","hasContent":true,"isFirst":false,"isLast":false},{"id":"para_60","index":59,"start":56852,"offset":145,"words":0,"paraNum":"","lastModified":1789551785000,"semanticType":"line","blockId":"art_of_war_en-bljx","language":"en","wordsRange":{"start":38378333333,"end":38411666667},"paragraphVersion":32,"direction":"ltr","paragraph":"<hr class=\"ilm-hr ilm-small\" id=\"para_60\" semantictype=\"line\" data-ilmid=\"art_of_war_en-bljx\" data-words-count=\"0\" data-before=\"1293\" data-ww=\"\">","hasContent":true,"isFirst":false,"isLast":false}]
by
Sun Tzŭ
Translated by Lionel Giles
1. Sun Tzŭ said: The art of war is of vital importance to the State.
2. It is a matter of life and death, a road either to safety or to ruin. Hence it is a subject of inquiry which can on no account be neglected.
11. These five heads should be familiar to every general: he who knows them will be victorious; he who knows them not will fail.
(2) Which of the two generals has most ability?
14. By means of these seven considerations I can forecast victory or defeat.
19. Hence, when able to attack, we must seem unable; when using our forces, we must seem inactive; when we are near, we must make the enemy believe we are far away; when far away, we must make him believe we are near.
24. Attack him where he is unprepared, appear where you are not expected.
26. Now the general who wins a battle makes many calculations in his temple ere the battle is fought. The general who loses a battle makes but few calculations beforehand. Thus do many calculations lead to victory, and few calculations to defeat: how much more no calculation at all! It is by attention to this point that I can foresee who is likely to win or lose.
1. Sun Tzŭ said: In the operations of war, where there are in the field a thousand swift chariots, as many heavy chariots, and a hundred thousand mail-clad soldiers, with provisions enough to carry them a thousand li, the expenditure at home and at the front, including entertainment of guests, small items such as glue and paint, and sums spent on chariots and armour, will reach the total of a thousand ounces of silver per day. Such is the cost of raising an army of 100,000 men.
13, 14. With this loss of substance and exhaustion of strength, the homes of the people will be stripped bare, and three-tenths of their incomes will be dissipated; while Government expenses for broken chariots, worn-out horses, breast-plates and helmets, bows and arrows, spears and shields, protective mantlets, draught-oxen and heavy waggons, will amount to four-tenths of its total revenue.
18. This is called, using the conquered foe to augment one’s own strength.
